[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-the-talk-of-the-town":3},"title: It's The Talk Of The Town\ncomposer: Jerry Livingston\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | F7#5    # V7\u002FIV in F: #11 and b13 from the symbol\n4  | BbMaj7  # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n4  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n5  | FMaj7   # tonic: the 4th is in the key\n5  | E7      # tritone substitute: resolves down a half step to Eb7\n6  | Eb7     # tritone substitute: resolves down a half step to D7\n6  | D7      # extended dominant: V7 of G7\n7  | G7      # II7 in F, not resolving: natural tensions\n8  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n9  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n9  | C7      # V7 of F: natural tensions\n10 | F6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm7     # ii: Dorian, the key’s own notes\n1  | D7      # V7\u002Fii in F: the b13 is in the key\n2  | Gm7     # ii: Dorian, the key’s own notes\n2  | D7      # V7\u002Fii in F: the b13 is in the key\n3  | Gm7     # ii: Dorian, the key’s own notes\n4  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9    # extended dominant: V7 of G7; b9 from the symbol\n5  | G7      # II7 in F, not resolving: natural tensions\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n6  | D7      # VI7 in F, not resolving: the b13 is in the key\n7  | Dm7     # ii of G7: Dorian\n7  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7#5    # V7 of F: #11 and b13 from the symbol\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | F7#5    # V7\u002FIV in F: #11 and b13 from the symbol\n4  | BbMaj7  # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n4  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n5  | FMaj7   # tonic: the 4th is in the key\n5  | E7      # tritone substitute: resolves down a half step to Eb7\n6  | Eb7     # tritone substitute: resolves down a half step to D7\n6  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | C7      # V7 of F: natural tensions\n8  | F6      # tonic: the 4th is in the key\n8  | C7      # V7 of F: natural tensions\n",1793575892297]