[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-magic":3},"title: It's Magic\ncomposer: Jule Styne\nstyle: Ballad\nkey: Bb\nform: ABCD, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A\n1 | BbMaj7  # tonic: the 4th is in the key\n1 | EbMaj7  # IV: the #4 is the key’s 7th\n2 | Bb\u002FD    # tonic: the 4th is in the key\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3 | Cm7     # ii of F7: Dorian\n3 | F7      # V7\u002FI in Bb: natural tensions\n4 | Cm7     # ii of F7: Dorian\n4 | F7      # V7\u002FI in Bb: natural tensions\n5 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | F7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | F7      # V7 of Bb: natural tensions\n\nsection: B\n1 | BbMaj7  # tonic: the 4th is in the key\n1 | Eb7     # tritone substitute: resolves down a half step to Dm7\n2 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3 | Cm7     # ii of F7: Dorian\n4 | F7      # V7\u002FI in Bb: natural tensions\n5 | Gm7     # ii of C7: Dorian\n5 | C7      # V7\u002FV in Bb: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FV in Bb: natural tensions\n7 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: C\n1 | BbMaj7  # tonic: the 4th is in the key\n1 | EbMaj7  # IV: the #4 is the key’s 7th\n2 | Bb\u002FD    # tonic: the 4th is in the key\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3 | Cm7     # ii of F7: Dorian\n3 | F7      # V7\u002FI in Bb: natural tensions\n4 | Cm7     # ii of F7: Dorian\n4 | F7      # V7\u002FI in Bb: natural tensions\n5 | Cm7     # ii of F7: Dorian\n6 | F7      # V7\u002FI in Bb: natural tensions\n7 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n\nsection: D\n1 | Cm7     # ii: Dorian, the key’s own notes\n2 | Ebm7    # ii of Ab7: Dorian\n2 | Ab7     # back door bVII7 to Bb6: the #11 is in the key\n3 | Bb6     # tonic: the 4th is in the key\n3 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Cm7     # ii of F7: Dorian\n4 | F7      # V7\u002FI in Bb: natural tensions\n5 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | Bb6     # tonic: the 4th is in the key\n7 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7b9    # V7 of Bb: the b9 from the symbol\n",1793575892259]