[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-easy-to-remember":3},"title: It's Easy To Remember\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 4)\n1 | Fm7     # ii of the ii–V to Eb\n1 | Bb7     # V7 of Eb: natural tensions\n2 | EbMaj7  # tonic: the 4th is in the key\n2 | C7      # V7\u002Fii in Eb: the b13 is in the key\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6 | Db7     # tritone substitute: resolves down a half step to Cm7\n7 | Cm7     # ii of F7: Dorian\n7 | F7      # V7\u002FV in Eb: natural tensions\n7 | Fm7     # ii of Bb7: Dorian\n7 | Bb7     # V7\u002FI in Eb: natural tensions\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | C7      # extended ii–V: a side-step, its own key\n9 | Eb6     # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Bbm7    # ii of the ii–V to Ab\n1 | Eb7     # V7\u002FIV in Eb: natural tensions\n2 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Fm7     # ii: Dorian, the key’s own notes\n3 | Bbm7    # ii of the ii–V to Ab\n3 | Eb7     # V7\u002FIV in Eb: natural tensions\n4 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n# area: Gb major (B 5–6)\n5 | Abm7    # ii of the ii–V to Gb\n5 | Db7     # V7 of Gb: natural tensions\n6 | GbMaj7  # tonic: the 4th is in the key\n# area: Eb major (B 7 – A2 8)\n7 | Cm7     # ii of F7: Dorian\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: A2\n1 | Fm7     # ii of the ii–V to Eb\n1 | Bb7     # V7 of Eb: natural tensions\n2 | EbMaj7  # tonic: the 4th is in the key\n2 | C7      # V7\u002Fii in Eb: the b13 is in the key\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6 | Db7     # tritone substitute: resolves down a half step to Cm7\n7 | Cm7     # ii of F7: Dorian\n7 | F7      # V7\u002FV in Eb: natural tensions\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb6     # tonic: the 4th is in the key\n",1793575892208]