[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-all-right-with-me":3},"title: It's All Right With Me\ncomposer: Cole Porter\nstyle: Up Tempo Swing\nkey: Cm\nform: AAB, 60 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A\n# area: C minor (A 1–16)\n1  | Cm         # tonic minor: Dorian by convention\n2  | CmMaj7     # from the symbol: minor-major 7th\n3  | Cm7        # tonic minor: Dorian by convention\n4  | Cm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Cm7        # tonic minor: Dorian by convention\n6  | Cm7\n7  | Fm7        # iv: Dorian, the key’s own notes\n8  | Fm7\n9  | F#dim7     # passing diminished: D7♭9 without its D, the Gm7b5's dominant; not functioning diatonically: the symmetric scale\n10 | F#dim7\n11 | Gm7b5      # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7b9       # extended dominant: V7 of F7; b9 from the symbol\n13 | F7         # IV7 in C minor, not resolving: natural tensions\n14 | F7\n15 | Dm7b5      # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | G7b9       # V7\u002Fi in C minor: b9 and b13 are in the key\n# area: Eb major (A 17 – B 27)\n17 | Fm7        # ii of the ii–V to Eb\n18 | Bb7        # V7 of Eb: natural tensions\n19 | Eb6        # tonic: the 4th is in the key\n20 | Eb6\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Bbm6\u002FEb    # a minor sixth chord: Dorian\nalt 1  | Gm7b5      # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Bbm6\u002FEb\nalt 2  | Gm7b5\nalt 2  | C7b9       # extended dominant: V7 of F7; b9 from the symbol\n3  | Ebdim7     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\nalt 3  | F7         # II7 in Eb, not resolving: natural tensions\n4  | Ebdim7\nalt 4  | F7\n5  | Abdim7\u002FEb  # passing diminished: Bb7♭9 without its Bb, the EbMaj7's dominant; not functioning diatonically: the symmetric scale\nalt 5  | Fm7b5      # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Abdim7\u002FEb\nalt 6  | Fm7b5\nalt 6  | Bb7        # V7 of Eb: natural tensions\n7  | EbMaj7     # tonic: the 4th is in the key\n8  | EbMaj7\n9  | Bbm6\u002FEb    # a minor sixth chord: Dorian\nalt 9  | Gm7b5      # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | Bbm6\u002FEb\nalt 10 | Gm7b5\nalt 10 | C7b9       # extended dominant: V7 of F7; b9 from the symbol\n11 | Ebdim7     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\nalt 11 | F7         # II7 in Eb, not resolving: natural tensions\n12 | Ebdim7\nalt 12 | F7\n13 | Abdim7\u002FEb  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\nalt 13 | Fm7b5      # iiø7 of Bb7: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Abdim7\u002FEb\nalt 14 | Fm7b5\nalt 14 | Bb7        # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n15 | Dm7b5      # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n17 | F7         # II7 in Eb, not resolving: natural tensions\n18 | F7\n19 | Fm7        # ii of the ii–V to Eb\n20 | Bb7        # V7 of Eb: natural tensions\n21 | EbMaj7     # tonic: the 4th is in the key\n22 | Eb7\u002FG      # V7\u002FIV in Eb: natural tensions\n23 | AbMaj7     # the Eb7\u002FG before it makes Ab the key of the moment: the 4th is in the key\n24 | Adim7      # passing diminished: F7♭9 without its F, the Bb7sus's dominant; not functioning diatonically: the symmetric scale\n25 | Bb7sus     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n26 | Bb7        # V7 of Eb: natural tensions\n27 | Eb6        # tonic: the 4th is in the key\n# area: C minor (B 28)\n28 | G7b9       # V7 of C minor: b9 and b13 are in the key\n@nav 14 D.C. al 3rd ending\n",1793575892173]