[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-a-raggy-waltz":3},"title: It's A Raggy Waltz\ncomposer: Dave Brubeck\nstyle: Waltz\nkey: G\ntime: 3\u002F4\nform: ABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 2)\n1  | G7      # extended dominant: V7 of C7\u002FG\n1  | C7\u002FG    # IV7 in G, not resolving: the #11 is in the key\n2  | Gdim7   # auxiliary diminished: it decorates the chord and returns to it\n3  | G7      # extended dominant: V7 of C7\n4  | G7\n5  | C7      # IV7 in G, not resolving: the #11 is in the key\n6  | C#dim7  # ♯IV°7 to I: F#7♭9 without its root, the ♯II°7's notes\n7  | G7      # I7 in G, not resolving: natural tensions\n8  | G       # tonic: the 4th is in the key\n8  | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n9  | A7b9    # V7 of V7: the dominant of the dominant: the b9 from the symbol\n10 | D7b9    # V7 of G: the b9 from the symbol\n11 | G       # tonic: the 4th is in the key\n11 | G7      # V7\u002FIV in G: natural tensions\n11 | C       # the G7 before it makes C the key of the moment: the 4th is in the key\n12 | G       # tonic: the 4th is in the key\n\nsection: B\n1  | CMaj7   # IV: the #4 is the key’s 7th\n2  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Ab major (B 3–7)\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n5  | Gm7     # ii of the ii–V to F minor\n5  | C7      # V7\u002Fvi in Ab: b9 and b13 are in the key\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FV in Ab: natural tensions\n7  | Em7     # a borrowed minor chord: Dorian, its own key\n7  | Eb7     # tritone substitute: resolves down a half step to D7\n# area: G major (B 8 – A2 12)\n8  | D7      # V7 of G: natural tensions\n\nsection: A2\n1  | G       # tonic: the 4th is in the key\n2  | D7      # V7 of G: natural tensions\n2  | Gdim7   # auxiliary diminished: it decorates the chord and returns to it\n3  | G7      # extended dominant: V7 of C7\n4  | G7\n5  | C7      # IV7 in G, not resolving: the #11 is in the key\n6  | C#dim7  # ♯IV°7 to I: F#7♭9 without its root, the ♯II°7's notes\n7  | G7      # I7 in G, not resolving: natural tensions\n8  | G       # tonic: the 4th is in the key\n8  | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n9  | A7b9    # V7 of V7: the dominant of the dominant: the b9 from the symbol\n10 | D7b9    # V7 of G: the b9 from the symbol\n11 | G       # tonic: the 4th is in the key\n11 | G7      # V7\u002FIV in G: natural tensions\n11 | C       # the G7 before it makes C the key of the moment: the 4th is in the key\n12 | G       # tonic: the 4th is in the key\n",1793575892161]