[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:its-a-dance":3},"title: It's A Dance\ncomposer: Michel Petrucciani\nstyle: Waltz\nkey: C\ntime: 3\u002F4\nform: ABC, 46 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–7)\n1  | EbMaj7    # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | A7#5      # VI7 in C, not resolving: the b13 is in the key, the #11 from the symbol\n3  | G7#5      # V7 in C, not resolving: #11 and b13 from the symbol\n4  | Bm7       # ii of E7: Dorian\n5  | E7        # extended ii–V: a side-step, its own key\n6  | GMaj7     # a non-tonic major chord: Lydian\n7  | A7        # VI7 in C, not resolving: the b13 is in the key\n# area: G major (A 8–12)\n8  | Am7       # ii of the ii–V to G\n8  | D7        # V7 of G: natural tensions\n9  | GMaj7     # tonic: the 4th is in the key\n10 | F#7       # V7\u002Fiii in G: b9 and b13 are in the key\n11 | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | E7        # extended ii–V: a side-step, its own key\n# area: Eb major (A 13 – B 7)\n13 | Fm7       # ii of the ii–V to Eb\n14 | Bb7       # V7 of Eb: natural tensions\n15 | EbMaj7    # tonic: the 4th is in the key\n16 | Eb7       # tritone substitute: resolves down a half step to D7\n16 | D7        # VII7 in Eb, not resolving: b9 and b13 are in the key\n\nsection: B\n1  | EbMaj7    # tonic: the 4th is in the key\n2  | A7#5      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b13 from the symbol\n3  | G7#5      # III7 in Eb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n4  | Bm7       # ii of E7: Dorian\n5  | E7        # extended ii–V: a side-step, its own key\n6  | GMaj7     # a non-tonic major chord: Lydian\n7  | A7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: G major (B 8–12)\n8  | Am7       # ii of the ii–V to G\n8  | D7        # V7 of G: natural tensions\n9  | GMaj7     # tonic: the 4th is in the key\n10 | F#7       # V7\u002Fiii in G: b9 and b13 are in the key\n11 | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | E7        # extended ii–V: a side-step, its own key\n# area: D major (B 13–15)\n13 | Em7       # ii of the ii–V to D\n14 | A7        # V7 of D: natural tensions\n15 | DMaj7     # tonic: the 4th is in the key\n# area: Eb major (B 16 – C 7)\n16 | Fm7       # ii of the ii–V to Eb\n16 | Bb7       # V7 of Eb: natural tensions\n\nsection: C\n1  | EbMaj7    # tonic: the 4th is in the key\n2  | G7b9      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7       # ii of F7: Dorian\n4  | F7        # V7\u002FV in Eb: natural tensions\n5  | Fm7       # ii: Dorian, the key’s own notes\n6  | B7        # ♭VI7 from the parallel minor: Lydian Dominant\n7  | BMaj7\u002FF#  # ♭VImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# area: B major (C 8–13)\n8  | F#7       # V7 of B: natural tensions\n9  | BMaj7\u002FF#  # tonic: the 4th is in the key\n10 | F#7       # V7 of B: natural tensions\n11 | BMaj7\u002FF#  # tonic: the 4th is in the key\n12 | F#7       # V7 of the BMaj7\u002FF# before it: natural tensions\n13 | EbMaj7    # a non-tonic major chord: Lydian\n# area: Eb major (C 14)\n14 | Bb7       # V7 of Eb: natural tensions\n@coda 12\n\nsection: Coda\n# area: C major (Coda 1–4)\n1  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7        # V7\u002Fii in C: the b13 is in the key\n3  | Dm7       # ii: Dorian, the key’s own notes\n4  | Dm7\n@coda 1\n",1793575892084]