[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:it-never-entered-my-mind":3},"title: It Never Entered My Mind\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: F\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | F        # tonic: the 4th is in the key\n1  | F+       # from the symbol: augmented\n2  | F6       # tonic: the 4th is in the key\n2  | F+       # from the symbol: augmented\n3  | FMaj7    # tonic: the 4th is in the key\n3  | Gm7      # ii: Dorian, the key’s own notes\nalt 3  | FMaj7    # tonic: the 4th is in the key\nalt 3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3  | Ab7      # tritone substitute: resolves down a half step to Gm7\n4  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gm7      # ii: Dorian, the key’s own notes\nalt 4  | Gm7      # ii of the ii–V to F\nalt 4  | C7       # V7 of F: natural tensions\n5  | FMaj7    # tonic: the 4th is in the key\n5  | Bb7      # IV7 in F, not resolving: the #11 is in the key\n6  | FMaj7\u002FA  # tonic: the 4th is in the key\n6  | D7       # extended dominant: V7 of G7sus\n7  | G7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | G7       # II7 in F, not resolving: natural tensions\n8  | Gm7      # ii of C7: Dorian\n8  | C7       # V7\u002FI in F: natural tensions\n9  | G7sus    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n9  | G7       # extended dominant: V7 of C7sus\n10 | C7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | C7       # V7 of F: natural tensions\nalt 10 | Cm7      # ii of the ii–V to Bb\nalt 10 | F7       # V7\u002FIV in F: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | FMaj7    # tonic: the 4th is in the key\nalt 1  | BbMaj7   # the F7 before it makes Bb the key of the moment: the 4th is in the key\nalt 1  | FMaj7\u002FA  # tonic: the 4th is in the key\n2  | Gm7      # ii of the ii–V to F\n2  | C7       # V7 of F: natural tensions\n3  | FMaj7    # tonic: the 4th is in the key\n4  | Gm7      # ii of the ii–V to F\n4  | C7       # V7 of F: natural tensions\n5  | FMaj7    # tonic: the 4th is in the key\n5  | Gm7      # ii: Dorian, the key’s own notes\n6  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7       # V7\u002Fiii in F: b9 and b13 are in the key\n7  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7       # V7\u002Fii in F: the b13 is in the key\n8  | Gm7      # ii of the ii–V to F\n8  | C7       # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7    # tonic: the 4th is in the key\n1  | F+       # from the symbol: augmented\n2  | F6       # tonic: the 4th is in the key\n2  | F+       # from the symbol: augmented\n3  | FMaj7    # tonic: the 4th is in the key\n3  | Gm7      # ii: Dorian, the key’s own notes\nalt 3  | FMaj7    # tonic: the 4th is in the key\nalt 3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3  | Ab7      # tritone substitute: resolves down a half step to Gm7\n4  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gm7      # ii: Dorian, the key’s own notes\nalt 4  | Gm7      # ii of the ii–V to F\nalt 4  | C7       # V7 of F: natural tensions\n5  | FMaj7    # tonic: the 4th is in the key\n5  | Bb7      # IV7 in F, not resolving: the #11 is in the key\n6  | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b9     # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n7  | Gm7      # ii of C7: Dorian\n7  | C7       # V7\u002FI in F: natural tensions\n8  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7       # V7\u002Fii in F: the b13 is in the key\n9  | Gm7      # ii of the ii–V to F\n9  | C7       # V7 of F: natural tensions\n10 | F6       # tonic: the 4th is in the key\n10 | Gm7      # ii of the ii–V to F\n10 | C7       # V7 of F: natural tensions\n",1793575892033]