[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:it-might-as-well-be-spring":3},"title: It Might As Well Be Spring\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: G\nform: AAB, 66 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n1  | GMaj7     # tonic: the 4th is in the key\n2  | Am7       # ii: Dorian, the key’s own notes\n3  | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | E7        # V7\u002Fii in G: the b13 is in the key\n4  | Am7       # ii of the ii–V to G\n4  | D7        # V7 of G: natural tensions\n5  | GMaj7     # tonic: the 4th is in the key\n6  | GMaj7\n7  | Dm7       # ii of the ii–V to C\n8  | G7        # V7\u002FIV in G: natural tensions\n9  | CMaj7     # the G7 before it makes C the key of the moment: the 4th is in the key\n10 | C#m7b5    # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F#7b9     # V7\u002Fiii in G: b9 and b13 are in the key\n11 | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | E7        # V7\u002Fii in G: the b13 is in the key\n13 | Am7       # ii of D7: Dorian\n14 | D7        # V7\u002FI in G: natural tensions\n15 | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Em7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Am7       # ii of the ii–V to G\n16 | D7        # V7 of G: natural tensions\n17 | GMaj7     # tonic: the 4th is in the key\n18 | Dm7       # ii of the ii–V to C\n18 | G7        # V7\u002FIV in G: natural tensions\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\n1  | CMaj7     # the G7 before it makes C the key of the moment: the 4th is in the key\n2  | Am7       # ii: Dorian, the key’s own notes\n3  | Dm7       # ii of G7: Dorian\n4  | G7        # V7\u002FIV in G: natural tensions\n5  | Dm7       # ii of the ii–V to C\n6  | G7        # V7\u002FIV in G: natural tensions\n7  | CMaj7     # the G7 before it makes C the key of the moment: the 4th is in the key\n8  | Bm7b5     # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7        # V7\u002Fii in G: the b13 is in the key\n9  | Am7       # ii: Dorian, the key’s own notes\n10 | Am7\u002FG     # ii: Dorian, the key’s own notes\n11 | F#m7b5    # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | B7b9      # V7\u002Fvi in G: b9 and b13 are in the key\n13 | Em7       # ii of A7: Dorian\n14 | A7        # V7\u002FV in G: natural tensions\n15 | Am7       # ii of D7: Dorian\n16 | D7        # V7\u002FI in G: natural tensions\n17 | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n18 | E7        # extended dominant: V7 of A7\n19 | A7        # II7 in G, not resolving: natural tensions\n20 | A7\n21 | Cm7       # ii of F7: Dorian\n22 | F7        # back door bVII7 to GMaj7: the #11 is in the key\n23 | GMaj7     # tonic: the 4th is in the key\n23 | GMaj7\u002FF#  # from the symbol: sus b9\n24 | Em7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n24 | Em7\u002FD     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n25 | C#m7b5    # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n26 | Cm6       # a minor sixth chord: Dorian\n27 | Bm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n28 | E7        # V7\u002Fii in G: the b13 is in the key\n29 | Am7       # ii of the ii–V to G\n30 | D7        # V7 of G: natural tensions\n31 | GMaj7     # tonic: the 4th is in the key\n32 | GMaj7\n33 | Am7       # ii of the ii–V to G\n34 | D7        # V7 of G: natural tensions\n@nav 14 D.C. al 3rd ending\n",1793575892026]