[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:it-had-to-be-you":3},"title: It Had To Be You\ncomposer: Isham Jones\nstyle: Medium Swing\nkey: G\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | GMaj7   # tonic: the 4th is in the key\n1 | D7#5    # V7 of G: #11 and b13 from the symbol\n2 | GMaj7   # tonic: the 4th is in the key\n2 | F7      # tritone substitute: resolves down a half step to E7\n3 | E7      # VI7 in G, not resolving: the b13 is in the key\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | E7      # extended dominant: V7 of A7\n5 | A7      # II7 in G, not resolving: natural tensions\n5 | Em7     # ii of A7: Dorian\n6 | A7      # V7\u002FV in G: natural tensions\n6 | Em7     # ii of A7: Dorian\n7 | A7      # V7\u002FV in G: natural tensions\n7 | Em7     # ii of A7: Dorian\n8 | A7      # V7 of V7: the dominant of the dominant: natural tensions\n\nsection: B\n1 | D7      # V7 in G, not resolving: natural tensions\n2 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n3 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bb7#11  # tritone substitute: resolves down a half step to A7\n5 | A7      # II7 in G, not resolving: natural tensions\n5 | Em7     # ii of A7: Dorian\n6 | A7      # V7\u002FV in G: natural tensions\n7 | Am7     # ii of D7: Dorian\n8 | D7      # V7\u002FI in G: natural tensions\n8 | D7#5    # V7 of G: #11 and b13 from the symbol\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n1 | D7#5    # V7 of G: #11 and b13 from the symbol\n2 | GMaj7   # tonic: the 4th is in the key\n2 | F7      # tritone substitute: resolves down a half step to E7\n3 | E7      # VI7 in G, not resolving: the b13 is in the key\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | E7      # extended dominant: V7 of A7\n5 | A7      # II7 in G, not resolving: natural tensions\n5 | Em7     # ii of A7: Dorian\n6 | A7      # V7\u002FV in G: natural tensions\n6 | Em7     # ii of A7: Dorian\n7 | A7      # V7\u002FV in G: natural tensions\n7 | Em7     # ii of the ii–V to D minor\n8 | A7      # V7\u002Fv in G: natural tensions\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7\u002FIV in G: natural tensions\n\nsection: C\n1 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2 | F7      # back door bVII7 to GMaj7: the #11 is in the key\n3 | GMaj7   # tonic: the 4th is in the key\n3 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n4 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bbdim7  # passing diminished: A7♭9 without its A, the D7\u002FA's dominant\n5 | D7\u002FA    # V7 in G, not resolving: natural tensions\n5 | Abdim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n6 | D7\u002FA    # V7 in G, not resolving: natural tensions\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n7 | E7      # V7\u002Fii in G: the b13 is in the key\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n",1793575892007]