[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:isnt-it-romantic":3},"title: Isn't It Romantic?\ncomposer: Richard Rodgers\nstyle: Medium Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | Eb6     # tonic: the 4th is in the key\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | Eb6\u002FG   # tonic: the 4th is in the key\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Bb7     # V7 in Eb, not resolving: natural tensions\n2 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | G7\u002FB    # V7 of the Cm before it: b9 and b13 are in the key\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5 | C7\u002FG    # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm      # ii: Dorian, the key’s own notes\n6 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n7 | Cm      # ii of F7: Dorian\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7alt  # from the symbol: altered\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | Eb6     # tonic: the 4th is in the key\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | Eb6\u002FG   # tonic: the 4th is in the key\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of Eb7: Dorian\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: C\n1 | Fm      # ii: Dorian, the key’s own notes\n1 | Fm\u002FEb   # ii: Dorian, the key’s own notes\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Cm\u002FBb   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Cm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Abm6    # a minor sixth chord: Dorian\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Gb7     # tritone substitute: resolves down a half step to Fm7\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n7 | Abm6    # a minor sixth chord: Dorian\n8 | Eb6     # tonic: the 4th is in the key\n",1793575891933]