[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:is-it-really-true":3},"title: Is it really True\ncomposer: Joanne Brackeen\nstyle: Medium Swing\nkey: C\ntime: 3\u002F4\nform: AA, 54 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–3)\n1  | GbMaj7   # a non-tonic major chord: Lydian\n2  | G7       # extended dominant: V7 of C7\n3  | C7       # tritone substitute: resolves down a half step to B7\n# area: Bb minor (A1 4–5)\n4  | B7       # tritone substitute: resolves down a half step to Bbm\n5  | Bbm      # tonic minor: Dorian by convention\n# area: C major (A1 6 – A2 3)\n6  | Dm7      # ii of the ii–V to C\n7  | G7       # V7 of C: natural tensions\n8  | C        # tonic: the 4th is in the key\n9  | C\n10 | F7       # IV7 in C, not resolving: the #11 is in the key\n11 | Dm7\u002FE    # ii: Dorian, the key’s own notes\n12 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Am7\n14 | Bbm7     # a borrowed minor chord: Dorian, its own key\n15 | A7       # VI7 in C, not resolving: the b13 is in the key\n16 | Bbm7\u002FAb  # a borrowed minor chord: Dorian, its own key\n17 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n18 | G7       # extended dominant: V7 of C7\n19 | C7       # V7\u002FIV in C: natural tensions\n20 | F        # the C7 before it makes F the key of the moment: the 4th is in the key\n21 | Gm7      # a borrowed minor chord: Dorian, its own key\n22 | F        # IV: the #4 is the key’s 7th\n23 | Gm7      # a borrowed minor chord: Dorian, its own key\n24 | F        # IV: the #4 is the key’s 7th\n25 | Gm7      # a borrowed minor chord: Dorian, its own key\n26 | F        # IV: the #4 is the key’s 7th\n27 | Gm7      # a borrowed minor chord: Dorian, its own key\n\nsection: A2\ncopy: A1\n",1793575891823]