[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:invitation":3},"title: Invitation\nsubtitle: Latin and swing\ncomposer: Bronisław Kaper\nstyle: Mixed\nkey: Ebm\nform: ABCDEF, 48 bars\nrecording: John Coltrane; Standard Coltrane; Prestige; 1962\nyoutube: 6nsJtrTpewU\n# analysis: 2026-10-19, rules v2; Eb minor\n# recording: recorded 1958-07-11, Van Gelder Studio, Hackensack, with Wilbur Harden, Red Garland, Paul Chambers, Jimmy Cobb, PRLP 7243, released 1962; film song (1952) → the best-known instrumental jazz reading (a ballad, where the chart mixes Latin and swing); sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Standard Coltrane, the same take\n\n# bar | chord | scale\n\nsection: A\nbars: 8\n# area: Eb minor (A 1 – C 6)\n1 | Cm       # ii of F7: Dorian\n5 | F7       # V7 of V7: the dominant of the dominant, on the way to Eb minor: b9 and b13 are in the key\n7 | Bb7#11   # V7 of Eb minor, the chain's last link: 9, #11 and 13 from the symbol\n\nsection: B\nbars: 8\n1 | Ebm      # ii of Ab7: Dorian\n5 | Ab7      # extended dominant: V7 of Db7#11\n7 | Db7#11   # bVII7 in Eb minor, not resolving: the #11 from the symbol\n\nsection: C\nbars: 8\n1 | C#m7     # ii of F#7: Dorian\n2 | F#7      # V7\u002FbVI in Eb minor: natural tensions\n2 | F#7#9    # V7\u002FbVI in Eb minor: b9, #9 and #11 from the symbol\n3 | BMaj7    # a non-tonic major chord: Lydian\n5 | Bm7      # ii of E7: Dorian\n6 | E7       # extended ii–V: a side-step, its own key\n# area: A major (C 6 – D 2)\n6 | E7#9     # V7 of A: b9, #9 and #11 from the symbol\n7 | AMaj7    # tonic: the 4th is in the key\n\nsection: D\n1 | Am7      # ii of D7: Dorian\n2 | D7       # extended ii–V: a side-step, its own key\n# area: G major (D 2–8)\n2 | D7#9     # V7 of G: b9, #9 and #11 from the symbol\n3 | GMaj7    # tonic: the 4th is in the key\n5 | Em7b5    # iiø7 of A7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7alt    # from the symbol: altered\n7 | D7#9     # V7 of G7#9, on the way to C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | G7#9     # V7 of C minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: E\nbars: 8\n# area: Eb minor (E 1 – F 8)\n1 | Cm       # ii of F7: Dorian\n5 | F7       # V7 of V7: the dominant of the dominant, on the way to Eb minor: b9 and b13 are in the key\n7 | Bb7#11   # V7 of Eb minor, the chain's last link: 9, #11 and 13 from the symbol\n\nsection: F\n1 | Ebm      # tonic minor: Dorian by convention\n3 | B7#11    # bVI7 in Eb minor, not resolving: the #11 is in the key\n4 | F7alt    # from the symbol: altered\n5 | Bb7#9    # V7 of Eb minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | EbmMaj7  # from the symbol: minor-major 7th\n8 | D7#9     # V7 of G7#9, on the way to C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | G7#9     # V7 of C minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n",1793484800451]