[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:indiana":3},"title: Indiana\ncomposer: James Hanley\nstyle: Up Tempo Swing\nkey: F\nform: AB, 32 bars\naka: Back Home Again In Indiana\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Eb7     # tritone substitute: resolves down a half step to D7\n2  | D7      # extended dominant: V7 of G7\n3  | G7      # II7 in F, not resolving: natural tensions\n4  | G7\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n11 | FMaj7   # tonic: the 4th is in the key\n12 | D7      # extended dominant: V7 of G7\n13 | G7      # II7 in F, not resolving: natural tensions\n14 | G7\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Eb7     # tritone substitute: resolves down a half step to D7\n2  | D7      # extended dominant: V7 of G7\n3  | G7      # II7 in F, not resolving: natural tensions\n4  | G7\n5  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n7  | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n9  | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n11 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Dm7\u002FC   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Bdim7   # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7      # V7\u002Fii in F: the b13 is in the key\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n15 | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n",1793575891751]