[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:indian-summer":3},"title: Indian Summer\ncomposer: Victor, Aldubin, Herbert\nstyle: Medium Swing\nkey: G\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | GMaj7   # tonic: the 4th is in the key\n2 | D7#5    # V7 of G: #11 and b13 from the symbol\n3 | GMaj7   # tonic: the 4th is in the key\n4 | D7#5    # V7 of G: #11 and b13 from the symbol\n5 | GMaj7   # tonic: the 4th is in the key\n5 | C7#11   # tritone substitute: resolves down a half step to Bm7\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n7 | Am7     # ii of D7: Dorian\n8 | D7      # V7\u002FI in G: natural tensions\n\nsection: B\n1 | Am7     # ii: Dorian, the key’s own notes\n2 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n3 | Em7     # ii of A7: Dorian\n4 | Em7\n5 | A7      # V7\u002FV in G: natural tensions\n6 | A7\n7 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n2 | D7#5    # V7 of G: #11 and b13 from the symbol\n3 | GMaj7   # tonic: the 4th is in the key\n4 | D7#5    # V7 of G: #11 and b13 from the symbol\n5 | GMaj7   # tonic: the 4th is in the key\n5 | C7#11   # tritone substitute: resolves down a half step to Bm7\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n7 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: C\n1 | GMaj7   # tonic: the 4th is in the key\n2 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Eb7     # ♭VI7 from the parallel minor: Lydian Dominant\n4 | Bbm7    # ii of Eb7: Dorian\n4 | Eb7     # extended ii–V: a side-step, its own key\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Bb7     # tritone substitute: resolves down a half step to Am7\n6 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n",1793575891740]