[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:in-your-own-sweet-way":3},"title: In Your Own Sweet Way\ncomposer: Dave Brubeck\nstyle: Medium Swing\nkey: Eb\nform: AABAC, 40 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–2)\n1 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n2 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note); the repeat at A2 bar 2 would be G Dorian\n2 | C7      # extended ii–V: a side-step, its own key\n# area: Bb major (A1 3–4)\n3 | Cm7     # ii of the ii–V to Bb\n3 | F7      # V7 of Bb: natural tensions\n4 | BbMaj7  # tonic: the 4th is in the key\n4 | EbMaj7  # IV: the #4 is the key’s 7th\n# area: Gb major (A1 5–6)\n5 | Abm7    # ii of the ii–V to Gb\n5 | Db7     # V7 of Gb: natural tensions\n6 | GbMaj7  # tonic: the 4th is in the key\n6 | BMaj7   # IV: the #4 is the key’s 7th\n# area: Bb major (A1 7 – A2 4)\n7 | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | F7b9    # V7 of Bb: the b9 from the symbol\n8 | BbMaj7  # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: D major (B 1–4)\n1 | Em7     # ii of the ii–V to D\n1 | A7#9    # V7 of D: b9, #9 and #11 from the symbol\n2 | DMaj7   # tonic: the 4th is in the key\n3 | Em7     # ii of the ii–V to D\n3 | A7      # V7 of D: natural tensions\n4 | DMaj7   # tonic: the 4th is in the key\n# area: C major (B 5 – A3 2)\n5 | Dm7     # ii of the ii–V to C\n5 | G7      # V7 of C: natural tensions\n6 | CMaj7   # tonic: the 4th is in the key\n7 | Ebm7    # ii of Ab7: Dorian\n7 | Ab7     # extended ii–V: a side-step, its own key\n8 | Dm7     # ii of G7: Dorian\n8 | G7      # V7\u002FI in C: natural tensions\n\nsection: A3\n1 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b9    # V7\u002Fv in C: the b9 from the symbol\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FIV in C: natural tensions\n# area: Bb major (A3 3–4)\n3 | Cm7     # ii of the ii–V to Bb\n3 | F7      # V7 of Bb: natural tensions\n4 | BbMaj7  # tonic: the 4th is in the key\n4 | EbMaj7  # IV: the #4 is the key’s 7th\n# area: Gb major (A3 5–6)\n5 | Abm7    # ii of the ii–V to Gb\n5 | Db7     # V7 of Gb: natural tensions\n6 | GbMaj7  # tonic: the 4th is in the key\n6 | BMaj7   # IV: the #4 is the key’s 7th\n# area: Bb major (A3 7 – C 8)\n7 | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | F7b9    # V7 of Bb: the b9 from the symbol\n8 | BbMaj7  # tonic: the 4th is in the key\n\nsection: C\n1 | Ab7sus  # static sus: Mixolydian\nalt 1 | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n2 | Ab7sus\nalt 2 | Ebm7\n3 | Ab7sus\nalt 3 | Ebm7\n4 | Ab7sus\nalt 4 | Ebm7\n5 | Ab7sus\nalt 5 | Ebm7\n6 | Ab7sus\nalt 6 | Ebm7\n7 | Ab7sus\nalt 7 | Ebm7\n8 | Ab7sus\nalt 8 | Ebm7\n",1793575891708]