[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:in-the-still-of-the-night":3},"title: In The Still Of The Night\ncomposer: Cole Porter\nstyle: Up Tempo Swing\nkey: F\nform: ABCC, 72 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | FMaj7\n3  | Bb7     # IV7 in F, not resolving: the #11 is in the key\n4  | Bb7\n5  | FMaj7   # tonic: the 4th is in the key\n6  | FMaj7\n7  | Bb7     # IV7 in F, not resolving: the #11 is in the key\n8  | Bb7\n9  | Gm7     # ii of the ii–V to F\n10 | Gm7\n11 | C7      # V7 of F: natural tensions\n12 | C7\n13 | FMaj7   # tonic: the 4th is in the key\n14 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n2  | FMaj7\n3  | Bb7     # IV7 in F, not resolving: the #11 is in the key\n4  | Bb7\n5  | FMaj7   # tonic: the 4th is in the key\n6  | FMaj7\n7  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Am7\n11 | D7      # extended ii–V: a side-step, its own key\n12 | D7\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | D7      # V7\u002Fii in F: the b13 is in the key\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: C1\n1  | F6      # tonic: the 4th is in the key\n2  | A7#5    # III7 in F, not resolving: b9 and b13 are in the key, the #11 from the symbol\n3  | Bb7#11  # IV7 in F, not resolving: the #11 is in the key\n4  | Bb7#11\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | FMaj7\n9  | F6      # tonic: the 4th is in the key\n10 | A7#5    # III7 in F, not resolving: b9 and b13 are in the key, the #11 from the symbol\n11 | Bb7#11  # IV7 in F, not resolving: the #11 is in the key\n12 | Bb7#11\n13 | Gm7     # ii of C7: Dorian\n14 | C7      # V7\u002FI in F: natural tensions\n15 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | Am7b5\n17 | D7      # V7\u002Fii in F: the b13 is in the key\n18 | D7\n19 | Gm7     # ii: Dorian, the key’s own notes\n20 | Gm7\n21 | Bbm6    # a minor sixth chord: Dorian\n22 | Bbm6\n23 | FMaj7   # tonic: the 4th is in the key\n24 | FMaj7\n\nsection: C2\n1  | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | F6\u002FA    # tonic: the 4th is in the key\n6  | F6\u002FA\n7  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n8  | Abdim7\n9  | Gm7     # ii of the ii–V to F\n10 | Gm7\n11 | C7      # V7 of F: natural tensions\n12 | C7\n13 | FMaj7   # tonic: the 4th is in the key\n14 | D7      # V7\u002Fii in F: the b13 is in the key\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n",1793575891671]