[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:in-the-middle-of-a-kiss":3},"title: In The Middle Of A Kiss\ncomposer: Sam Coslow\nstyle: Medium Swing\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | C7     # extended dominant: V7 of F7\n2 | F7     # tritone substitute: resolves down a half step to E7\n2 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n3 | Am7    # ii of the ii–V to G minor\n3 | D7     # V7\u002Fv in C: natural tensions\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7\u002FIV in C: natural tensions\n5 | FMaj7  # the C7 before it makes F the key of the moment: the 4th is in the key\n6 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7     # V7\u002Fii in C: the b13 is in the key\n7 | Dm7    # ii: Dorian, the key’s own notes\n7 | A7     # V7\u002Fii in C: the b13 is in the key\n8 | Dm7    # ii: Dorian, the key’s own notes\n\nsection: B\n1 | Am7    # ii of D7: Dorian\n1 | D7     # V7\u002FV in C: natural tensions\n2 | Dm7    # ii of the ii–V to C\n2 | G7     # V7 of C: natural tensions\n3 | C6     # tonic: the 4th is in the key\n3 | G7     # V7 of C: natural tensions\n4 | CMaj7  # tonic: the 4th is in the key\n5 | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Am7b5  # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7     # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7 | Dm7    # ii of G7: Dorian\n7 | G7     # V7\u002FI in C: natural tensions\n8 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | E7b9   # V7\u002Fvi in C: b9 and b13 are in the key\n\nsection: A2\n1 | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | C7     # extended dominant: V7 of F7\n2 | F7     # tritone substitute: resolves down a half step to E7\n2 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n3 | Am7    # ii of the ii–V to G minor\n3 | D7     # V7\u002Fv in C: natural tensions\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7\u002FIV in C: natural tensions\n5 | FMaj7  # the C7 before it makes F the key of the moment: the 4th is in the key\n6 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7     # V7\u002Fii in C: the b13 is in the key\n7 | Dm7    # ii: Dorian, the key’s own notes\n7 | Db7    # tritone substitute: resolves down a half step to C7sus\n8 | C7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | C7     # V7\u002FIV in C: natural tensions\n\nsection: C\n1 | FMaj7  # the C7 before it makes F the key of the moment: the 4th is in the key\n1 | Fm6    # a minor sixth chord: Dorian\n2 | Fm7    # ii of Bb7: Dorian\n2 | Bb7    # back door bVII7 to CMaj7: the #11 is in the key\n3 | CMaj7  # tonic: the 4th is in the key\n3 | Bb7    # tritone substitute: resolves down a half step to A7\n4 | A7     # V7\u002Fii in C: the b13 is in the key\n5 | Dm7    # ii: Dorian, the key’s own notes\n5 | A7     # V7\u002Fii in C: the b13 is in the key\n6 | Dm7    # ii of the ii–V to C\n6 | G7     # V7 of C: natural tensions\n7 | C6     # tonic: the 4th is in the key\n8 | E7b13  # V7\u002Fvi in C: b9 and b13 are in the key\n",1793575891660]