[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:in-a-shanty-in-old-shanty-town":3},"title: In A Shanty In Old Shanty Town\ncomposer: Booker Little, Siras\nstyle: Waltz\nkey: F\ntime: 3\u002F4\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | FMaj7  # tonic: the 4th is in the key\n2 | A7     # extended dominant: V7 of D7\n3 | D7     # extended dominant: V7 of G7\n4 | D7\n5 | G7     # tritone substitute: resolves down a half step to Gb7\n6 | Gb7    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n8 | G7\n\nsection: B\n1 | C7     # V7 of F: natural tensions\n2 | C7\n3 | F6     # tonic: the 4th is in the key\n4 | F6\n4 | D7     # extended dominant: V7 of G7\n5 | G7     # II7 in F, not resolving: natural tensions\n6 | G7\n7 | Gm7    # ii of the ii–V to F\n8 | C7     # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7  # tonic: the 4th is in the key\n2 | A7     # extended dominant: V7 of D7\n3 | D7     # extended dominant: V7 of G7\n4 | D7\n5 | G7     # tritone substitute: resolves down a half step to Gb7\n6 | Gb7    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7 | G7     # II7 in F, not resolving: natural tensions\n8 | G7\n\nsection: C\n1 | Bb6    # IV: the #4 is the key’s 7th\n2 | Bbm6   # a minor sixth chord: Dorian\n3 | FMaj7  # tonic: the 4th is in the key\n3 | A7     # V7 of D7, on the way to G minor: b9 and b13 are in the key\n4 | D7     # V7 of G minor, the chain's last link: b9 and b13 are in the key\n5 | Gm7    # ii of the ii–V to F\n6 | C7     # V7 of F: natural tensions\n7 | F6     # tonic: the 4th is in the key\n8 | C7     # V7 of F: natural tensions\n",1793575891530]