[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:in-a-sentimental-mood":3},"title: In a Sentimental Mood\ncomposer: Duke Ellington\nstyle: Ballad\nkey: F\nform: AABC\nrecording: Duke Ellington; The Music of Duke Ellington Played by Duke Ellington; Columbia; 1954\nyoutube: qV3ysN2MHWk\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1935-04-30, first issued on 78 (Brunswick 7461, 1935), LP 1954 (CL 558) (Discogs); video: The Duke: The Columbia Years (1927-1962), the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: F major (A1 1 – A2 8)\n1 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | DmMaj7  # from the symbol: minor-major 7th\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FV in F: natural tensions\n3 | Gm      # ii: Dorian, the key’s own notes\n3 | GmMaj7  # from the symbol: minor-major 7th\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FI in F: natural tensions\n5 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj9   # tonic: the 4th is in the key\n\nsection: A2\n1 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | DmMaj7  # from the symbol: minor-major 7th\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FV in F: natural tensions\n3 | Gm      # ii: Dorian, the key’s own notes\n3 | GmMaj7  # from the symbol: minor-major 7th\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FI in F: natural tensions\n5 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj7   # tonic: the 4th is in the key\n# area: Db major (A2 8 – B 6)\n8 | Ebm7    # ii of the ii–V to Db\n8 | Ab7     # V7 of Db: natural tensions\n\nsection: B\nbars: 8\n1 | DbMaj7  # tonic: the 4th is in the key\n1 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Ebm7    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n3 | Bb7     # extended dominant: each one falls a fifth into the next: natural tensions\n4 | Eb7     # V7 of V7: the dominant of the dominant: natural tensions\n4 | Ab7     # V7 of Db: natural tensions\n5 | DbMaj7  # tonic: the 4th is in the key\n5 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Ebm7    # ii of Ab7: Dorian\n6 | Ab7     # tritone substitute: resolves down a half step to Gm7\n# area: F major (B 7 – C 8)\n7 | Gm7     # ii of C7: Dorian\n7 | C7      # V7\u002FI in F: natural tensions\n\nsection: C\n1 | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n1 | Bb13    # tritone substitute: resolves down a half step to Am7\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Abdim7  # passing diminished: a rootless dominant ♭9\n3 | Gm      # ii: Dorian, the key’s own notes\n3 | GmMaj7  # from the symbol: minor-major 7th\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FI in F: natural tensions\n5 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6\u002F9    # tonic: the 4th is in the key\n",1793484800378]