[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-through-with-love":3},"title: I'm Through With Love\ncomposer: Kahn, Malneck, Livingston\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | FMaj7   # tonic: the 4th is in the key\n1 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Cm7     # ii of the ii–V to Bb\n3 | F7      # V7\u002FIV in F: natural tensions\n4 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n6 | Gm7     # ii: Dorian, the key’s own notes\n6 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n7 | Gm7     # ii of C7b9: Dorian\n7 | C7b9    # V7\u002FI in F: the b9 from the symbol\n8 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n9 | F6      # tonic: the 4th is in the key\n9 | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | Amb6    # from the symbol: b6\n2 | Am6     # a minor sixth chord: Dorian\n2 | Amb6    # from the symbol: b6\n3 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Amb6    # from the symbol: b6\n4 | Am6     # a minor sixth chord: Dorian\n4 | D7      # extended ii–V: a side-step, its own key\n5 | C6      # a non-tonic major chord: Lydian\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm7     # ii: Dorian, the key’s own notes\n7 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\n1 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Cm7     # ii of the ii–V to Bb\n3 | F7      # V7\u002FIV in F: natural tensions\n4 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n6 | Gm7     # ii: Dorian, the key’s own notes\n6 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n7 | Gm7     # ii of the ii–V to F\n7 | C7b9    # V7 of F: the b9 from the symbol\n8 | F6      # tonic: the 4th is in the key\n",1793575891427]