[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-old-fashioned":3},"title: I'm Old Fashioned\ncomposer: Jerome Kern\nstyle: Medium\nkey: F\nform: ABCD, 36 bars\nrecording: John Coltrane; Blue Train; Blue Note; 1958\nyoutube: eMqOA7qN9B4\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1957-09-15, Van Gelder Studio, Hackensack; Coltrane, Lee Morgan, Curtis Fuller, Kenny Drew, Paul Chambers, Philly Joe Jones; songbook standard → the canonical jazz version; released January 1958 (Wikipedia); sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Blue Train (RVG Edition 2003 remaster), 7:58, the same take\n\n# bar | chord | scale\n# the lead sheet writes the A sections in half time (four chords a bar); this counts two chords a bar\n\nsection: A\n# area: F major (A 1 – C 3)\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7b9    # V7 of F: the b9 from the symbol\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7     # ii of the ii–V to F\n4  | C7b9    # V7 of F: the b9 from the symbol\n5  | FMaj7   # tonic: the 4th is in the key\n6  | FMaj7\n6  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: B\n1  | Dm11    # ii of G7#11: Dorian\n2  | G7#11   # V7\u002FV in F: the #11 from the symbol\n3  | Dm11    # ii of G7#11: Dorian\n4  | G7#11   # V7\u002FV in F: the #11 from the symbol\n5  | Gm7     # ii: Dorian, the key’s own notes\n5  | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n6  | Dm7     # ii of G7b9: Dorian\n6  | G7b9    # V7\u002FV in F: the b9 from the symbol\n7  | Gm7     # ii of the ii–V to F\n8  | C7b9    # V7 of F: the b9 from the symbol\n\nsection: C\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: A major (C 4–7)\n4  | Bm7b5   # iiø7 of A: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7#9    # V7 of A: b9, #9 and #11 from the symbol\n5  | AMaj7   # tonic: the 4th is in the key\n5  | Bm7     # ii: Dorian, the key’s own notes\n6  | C#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | DMaj7   # IV: the #4 is the key’s 7th\n7  | E7      # V7 in A, not resolving: natural tensions\n7  | F#m7b5  # viø7 in A: Locrian, its own mode (the chord is outside the key)\n# area: F major (C 8 – D 12)\n8  | Gm7     # ii of the ii–V to F\n8  | C7b9    # V7 of F: the b9 from the symbol\n\nsection: D\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Cm7     # ii of the ii–V to Bb\n5  | F7      # V7\u002FIV in F: natural tensions\n6  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n8  | Bbm6    # a minor sixth chord: Dorian\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | Ab7     # tritone substitute: resolves down a half step to Gm7\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7 of F: natural tensions\n11 | FMaj7   # tonic: the 4th is in the key\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n",1793484800329]