[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-in-the-mood-for-love":3},"title: I'm In The Mood For Love\ncomposer: Jimmy McHugh\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FI in C: natural tensions\n3 | Dm7     # ii of the ii–V to C\n3 | G7      # V7 of C: natural tensions\n4 | CMaj7   # tonic: the 4th is in the key\n4 | F7      # tritone substitute: resolves down a half step to Em7\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n6 | Dm7     # ii of the ii–V to C\n7 | G7      # V7 of C: natural tensions\n8 | CMaj7   # tonic: the 4th is in the key\n8 | G7      # V7 of C: natural tensions\n9 | C6      # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Dm7     # ii of the ii–V to C\n1 | G7      # V7 of C: natural tensions\n2 | CMaj7   # tonic: the 4th is in the key\n2 | A7      # V7\u002Fii in C: the b13 is in the key\n3 | Dm7     # ii of the ii–V to C\n3 | G7      # V7 of C: natural tensions\n4 | CMaj7   # tonic: the 4th is in the key\n5 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n6 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | D7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n8 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FI in C: natural tensions\n3 | Dm7     # ii of the ii–V to C\n3 | G7      # V7 of C: natural tensions\n4 | CMaj7   # tonic: the 4th is in the key\n4 | F7      # tritone substitute: resolves down a half step to Em7\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n6 | Dm7     # ii of the ii–V to C\n7 | G7      # V7 of C: natural tensions\n8 | C6      # tonic: the 4th is in the key\n",1793575891364]