[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-gonna-laugh-you-right-out-of-my-life":3},"title: I'm Gonna Laugh You Right Out Of My Life\ncomposer: Cy Coleman\nstyle: Ballad\nkey: F\nform: AABAD, 40 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 2)\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Abdim7  # passing diminished: G7♭9 without its G, the C7sus's dominant (Gm7 its ii)\n3 | Gm7     # ii of C7sus: Dorian\n4 | C7sus   # static sus: Mixolydian\n4 | Bdim7   # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Ab7     # ♭III7 from the parallel minor: Lydian Dominant\n7 | DMaj7   # a non-tonic major chord: Lydian\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Abdim7  # passing diminished: G7♭9 without its G, the C7sus's dominant (Gm7 its ii)\n3 | Gm7     # ii of C7sus: Dorian\n4 | C7sus   # static sus: Mixolydian\n4 | Bbdim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7b9    # V7\u002FIV in F: the b9 from the symbol\n7 | BbMaj7  # the F7b9 before it makes Bb the key of the moment: the 4th is in the key\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: B\n1 | Dm7     # ii of G7sus: Dorian\n2 | G7sus   # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C major (B 2–8)\n2 | G7b9    # V7 of C: the b9 from the symbol\n3 | CMaj7   # tonic: the 4th is in the key\n3 | Dm7     # ii: Dorian, the key’s own notes\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n5 | Dm7     # ii of G7sus: Dorian\n6 | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | G7      # V7 in C, not resolving: natural tensions\n7 | Gm7     # a borrowed minor chord: Dorian, its own key\n7 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Bb6     # ♭VII6, borrowed from C minor: Lydian (its ♯11 is in the key)\n# area: F major (B 8 – D 8)\n8 | C7      # V7 of F: natural tensions\n\nsection: A3\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Abdim7  # passing diminished: G7♭9 without its G, the C7sus's dominant (Gm7 its ii)\n3 | Gm7     # ii of C7sus: Dorian\n4 | C7sus   # static sus: Mixolydian\n4 | Bbdim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7b9    # V7\u002FIV in F: the b9 from the symbol\n7 | BbMaj7  # the F7b9 before it makes Bb the key of the moment: the 4th is in the key\n7 | Bb6     # IV: the #4 is the key’s 7th\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: D\n1 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n2 | Bbm6    # a minor sixth chord: Dorian\n3 | F6\u002FA    # tonic: the 4th is in the key\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of C7sus: Dorian\n6 | C7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n",1793575891324]