[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-glad-there-is-you":3},"title: I'm Glad There Is You\ncomposer: Jimmy Dorsey\nstyle: Ballad\nkey: F\nform: ABCA, 36 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | FMaj7\n3  | Fm7     # a borrowed minor chord: Dorian, its own key\n4  | Fm7\nalt 4  | Bb7     # extended ii–V: a side-step, its own key\nalt 4  | Fm7     # a borrowed minor chord: Dorian, its own key\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n7  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Gm7     # ii: Dorian, the key’s own notes\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n\nsection: C\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | Bbm7    # ii of Eb7: Dorian\n2  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | FMaj7\n3  | Fm7     # a borrowed minor chord: Dorian, its own key\n4  | Fm7\nalt 4  | Bb7     # extended ii–V: a side-step, its own key\nalt 4  | Fm7     # a borrowed minor chord: Dorian, its own key\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Cm7     # ii of the ii–V to Bb\nalt 7  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F7      # V7\u002FIV in F: natural tensions\nalt 8  | D7b9    # extended dominant: V7 of G7; b9 from the symbol\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\nalt 9  | G7      # II7 in F, not resolving: natural tensions\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7 of F: natural tensions\n11 | F6      # tonic: the 4th is in the key\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n",1793575891315]