[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-getting-sentimental-over-you":3},"title: I'm Getting Sentimental Over You\ncomposer: George Bassman\nstyle: Medium Swing\nkey: F\nform: AABA, 36 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n3  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n10 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | F#m7b5  # iiø7 of B7: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7      # extended dominant: V7 of E7b9\n4  | E7b9    # VII7 in F, not resolving: b9 and b13 are in the key\n5  | Bm7     # ii of the ii–V to A minor\n6  | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n3  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7      # V7 in F, not resolving: natural tensions\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n9  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n10 | C7b13   # V7 of F: the b13 from the symbol\n11 | F6      # tonic: the 4th is in the key\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n",1793575891305]