[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:im-a-fool-to-want-you":3},"title: I'm A Fool To Want You\ncomposer: Herron, Sinatra, Wolf\nstyle: Ballad\nkey: Em\nform: AABA, 40 bars\n# analysis: 2026-10-31, rules v2; E minor\n\nsection: A1\n# area: E minor (A1 1 – B 1)\n1  | Em6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n3  | Am6     # a minor sixth chord: Dorian\n4  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9    # V7 of E minor: b9 and b13 are in the key\n5  | Em7     # tonic minor: Dorian by convention\n6  | Am7     # iv: Dorian, the key’s own notes\n7  | C7#11   # tritone substitute: resolves down a half step to B9\n8  | B9      # V7 in E minor, not resolving: the b13 is in the key, the 9 from the symbol\n8  | B7b13   # V7 in E minor, not resolving: b9 and b13 are in the key\n9  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | B7b9    # V7 of E minor: b9 and b13 are in the key\n10 | Em6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Am      # iv: Dorian, the key’s own notes\n1  | AmMaj7  # from the symbol: minor-major 7th\n# area: G major (B 2–8)\n2  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n5  | Am      # ii: Dorian, the key’s own notes\n5  | AmMaj7  # from the symbol: minor-major 7th\n6  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n8  | GMaj7\n# area: E minor (B 9 – A2 8)\n9  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | B7b9    # V7 of E minor: b9 and b13 are in the key\n11 | Em7     # tonic minor: Dorian by convention\n12 | Em7\n13 | Gm7     # ii of C7: Dorian\n14 | C7      # extended ii–V: a side-step, its own key\n15 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | B7b13   # V7 of E minor: b9 and b13 are in the key\n\nsection: A2\n1  | Em6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9    # V7\u002Fiv in E minor: the b13 is in the key, the b9 from the symbol\n3  | Am6     # a minor sixth chord: Dorian\n4  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9    # V7 of E minor: b9 and b13 are in the key\n5  | Em7     # tonic minor: Dorian by convention\n6  | Am7     # iv: Dorian, the key’s own notes\n7  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | B7b9    # V7 of E minor: b9 and b13 are in the key\n8  | Em6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n",1793575891223]