[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ill-take-romance":3},"title: I'll Take Romance\ncomposer: Ben Oakland\nstyle: Jazz waltz\n# book: Bright Jazz Waltz\nkey: F\nform: ABCD, 64 bars\ntime: 3\u002F4\nrecording: Max Roach; Jazz in 3\u002F4 Time; EmArcy; 1957\nyoutube: ue_ylGf8rNc\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1957-03-18, Capitol Tower, Los Angeles, Max Roach Quintet (Kenny Dorham, Sonny Rollins, Bill Wallace, George Morrow), master 15175-10, EmArcy MG-36108; songbook standard (1937) → the jazz-waltz reading the chart follows (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Jazz In 3\u002F4 Time, the same take\n\n# bar | chord\n\nsection: A\n# area: F major (A 1–5)\n1  | F6      # tonic: the 4th is in the key\n2  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n4  | C7\u002FBb   # V7 in F, not resolving: natural tensions\n5  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (A 6–10)\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | Gb7     # IV7 in Db, not resolving: the #11 is in the key\n# alt: bar 8 (Gm7b5)\n9  | A7alt   # from the symbol: altered\n10 | D7b9    # V7 of G minor, the chain's last link: b9 and b13 are in the key\n# area: F major (A 11 – B 5)\n11 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n13 | F6      # tonic: the 4th is in the key\n14 | Ab7     # tritone substitute: resolves down a half step to Gm7\n15 | Gm7     # ii of the ii–V to F\n# alt: bar 15 (DbMaj7)\n16 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | F6      # tonic: the 4th is in the key\n2  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n4  | C7\u002FBb   # V7 in F, not resolving: natural tensions\n5  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (B 6–10)\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | Gb7     # IV7 in Db, not resolving: the #11 is in the key\n# alt: bar 8 (Gm7b5)\n9  | A7alt   # from the symbol: altered\n10 | D7b9    # V7 of G minor, the chain's last link: b9 and b13 are in the key\n# area: F major (B 11–16)\n11 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n13 | F6      # tonic: the 4th is in the key\n# alt: bar 14 (Cm11)\n# book: Cm7(add 11)\n15 | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | E7      # tritone substitute: resolves down a half step to Ebm7\n\nsection: C\n# area: Db major (C 1–8)\n1  | Ebm7    # ii of the ii–V to Db\n2  | Ab7     # V7 of Db: natural tensions\n3  | DbMaj7  # tonic: the 4th is in the key\n4  | Db6     # tonic: the 4th is in the key\n# alt: bar 4 (Bb7)\n5  | Ebm7    # ii of the ii–V to Db\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n# alt: bar 7 (C7)\n8  | Db6     # tonic: the 4th is in the key\n# area: B major (C 9–14)\n9  | C#m7    # ii of the ii–V to B\n10 | F#7     # V7 of B: natural tensions\n11 | BMaj7   # tonic: the 4th is in the key\n12 | EMaj7   # IV: the #4 is the key’s 7th\n13 | Am7     # ii of the ii–V to G minor\n# alt: bar 13 (A7#5)\n14 | D7      # V7\u002Fbvi in B: the #11 is in the key\n# area: F major (C 15 – D 5)\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: D\nbars: 16\n1  | F6      # tonic: the 4th is in the key\n2  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# alt: bars 2–4 (Dm7\u002FC Bm7b5 Bbm6)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n4  | C7\u002FBb   # V7 in F, not resolving: natural tensions\n5  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (D 6–10)\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | Gb7     # IV7 in Db, not resolving: the #11 is in the key\n# alt: bar 8 (Gm7b5)\n9  | A7alt   # from the symbol: altered\n10 | D7b9    # V7 of G minor, the chain's last link: b9 and b13 are in the key\n# area: F major (D 11–13)\n11 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n13 | F6      # tonic: the 4th is in the key\n# alt (optional): bars 15–16 (Gm7 C7) turnaround\n",1793484800285]