[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ill-only-miss-her-when-i-think-of-her":3},"title: I'll Only Miss Her When I Think Of Her\ncomposer: Cahn-Van Heusen\nstyle: Medium Swing\nkey: G\nform: ABAC, 38 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – C 9)\n1  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n4  | CMaj7   # IV: the #4 is the key’s 7th\n5  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Eb7     # tritone substitute: resolves down a half step to Dm7\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7\u002FIV in G: natural tensions\n\nsection: B\n1  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n1  | E7\u002FB    # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii: Dorian, the key’s own notes\n2  | Bbdim7  # vii°7 to G\u002FB, up to its bass: F#7♭9 without its root\n3  | G\u002FB     # tonic: the 4th is in the key\n4  | Cm6     # a minor sixth chord: Dorian\n5  | G\u002FD     # tonic: the 4th is in the key\n5  | Em7     # ii of A7: Dorian\n6  | A7      # V7\u002FV in G: natural tensions\n7  | Am7     # ii: Dorian, the key’s own notes\n8  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7#5    # V7\u002Fii in G: the b13 is in the key, the #11 from the symbol\n\nsection: A2\n1  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n4  | CMaj7   # IV: the #4 is the key’s 7th\n5  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Eb7     # tritone substitute: resolves down a half step to Dm7\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7\u002FIV in G: natural tensions\n\nsection: C\n1  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n1  | E7\u002FB    # V7\u002Fii in G: the b13 is in the key\n2  | Am7     # ii: Dorian, the key’s own notes\n2  | Bbdim7  # vii°7 to G\u002FB, up to its bass: F#7♭9 without its root\n3  | G\u002FB     # tonic: the 4th is in the key\n3  | Cm6     # a minor sixth chord: Dorian\n4  | G\u002FD     # tonic: the 4th is in the key\n4  | Cm\u002FEb   # iv from the parallel minor: Dorian, its notes\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n7  | Am7     # ii: Dorian, the key’s own notes\n8  | F7#11   # ♭VII7 from the parallel minor: Lydian Dominant\n9  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Eb major (C 10–11)\n10 | Bb7     # V7 of Eb: natural tensions\n11 | EbMaj7  # tonic: the 4th is in the key\n# area: G major (C 12–14)\n12 | Ab7#11  # tritone substitute: resolves down a half step to GMaj7\n13 | GMaj7   # tonic: the 4th is in the key\n14 | GMaj7\n",1793575891142]