[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ill-never-smile-again":3},"title: I'll Never Smile Again\ncomposer: Ruth Lowe\nstyle: Ballad\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 4)\n1 | Fm7     # ii: Dorian, the key’s own notes\n1 | B9#11   # tritone substitute: resolves down a half step to Bb7sus\n2 | Bb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Bb7b9   # V7 of Eb: the b9 from the symbol\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Gbdim7  # passing diminished: a rootless dominant ♭9\n5 | Fm7     # ii: Dorian, the key’s own notes\n5 | B9#11   # tritone substitute: resolves down a half step to Bb7b9\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | Eb6     # tonic: the 4th is in the key\n7 | Ab9     # tritone substitute: resolves down a half step to Gm7\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Gb7b5   # tritone substitute: resolves down a half step to Fm7\n\nsection: B\n1 | Fm7     # ii of the ii–V to Eb\n1 | Bb7b9   # V7 of Eb: the b9 from the symbol\n2 | Eb6     # tonic: the 4th is in the key\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n4 | EbMaj7  # tonic: the 4th is in the key\n# area: G major (B 4–6)\n4 | D9      # V7 of G: natural tensions\n5 | GMaj7   # tonic: the 4th is in the key\n5 | D7\u002FA    # V7 of G: natural tensions\n6 | G\u002FB     # tonic: the 4th is in the key\n6 | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant; not functioning diatonically: the symmetric scale\n# area: Eb major (B 7 – C 8)\n7 | Fm7     # ii of Bb7: Dorian\n8 | Bb7     # V7\u002FI in Eb: natural tensions\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Gbdim   # passing diminished: a rootless dominant ♭9\n\nsection: A2\n1 | Fm7     # ii: Dorian, the key’s own notes\n1 | B9#11   # tritone substitute: resolves down a half step to Bb7sus\n2 | Bb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Bb7b9   # V7 of Eb: the b9 from the symbol\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Gbdim7  # passing diminished: a rootless dominant ♭9\n5 | Fm7     # ii: Dorian, the key’s own notes\n5 | B9#11   # tritone substitute: resolves down a half step to Bb7b9\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | EbMaj7  # tonic: the 4th is in the key\n7 | Eb6     # tonic: the 4th is in the key\n8 | Bbm6    # a minor sixth chord: Dorian\n8 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n\nsection: C\n1 | AbMaj7  # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n2 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | C9      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | Eb6     # tonic: the 4th is in the key\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Gbdim7  # passing diminished: a rootless dominant ♭9\n",1793575891130]