[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ill-never-be-the-same":3},"title: I'll Never Be The Same\ncomposer: Khan, Malneck, Signorelli\nstyle: Medium Swing\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | Db7     # tritone substitute: resolves down a half step to C7\n1  | C7      # V7 in F, not resolving: natural tensions\n2  | Db7     # tritone substitute: resolves down a half step to C7\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Gm7     # ii: Dorian, the key’s own notes\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7      # tritone substitute: resolves down a half step to Db7\n5  | Db7     # tritone substitute: resolves down a half step to C7\n5  | C7      # V7 in F, not resolving: natural tensions\n6  | Db7     # tritone substitute: resolves down a half step to C7\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Db7     # tritone substitute: resolves down a half step to Cm7\n9  | Cm7     # ii of F7: Dorian\n9  | F7      # V7\u002FIV in F: natural tensions\n10 | Cm7     # ii of F7sus: Dorian\n10 | F7sus   # static sus: Mixolydian\n11 | Cm7     # ii of the ii–V to Bb\n11 | F7      # V7\u002FIV in F: natural tensions\n12 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n13 | Dm7     # ii of G7: Dorian\n13 | G7      # V7\u002FV in F: natural tensions\n14 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FV in F: natural tensions\n15 | Gm7     # ii of C7: Dorian\n16 | C7      # V7\u002FI in F: natural tensions\n\nsection: B\n1  | Db7     # tritone substitute: resolves down a half step to C7\n1  | C7      # V7 in F, not resolving: natural tensions\n2  | Db7     # tritone substitute: resolves down a half step to C7\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Db7     # tritone substitute: resolves down a half step to Cm7\n5  | Cm7     # ii of F7: Dorian\n5  | F7      # V7\u002FIV in F: natural tensions\n6  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7\u002FIV in F: natural tensions\n7  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8  | BbMaj7\n9  | Gm7     # ii: Dorian, the key’s own notes\n10 | Bbm6    # a minor sixth chord: Dorian\n11 | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7      # tritone substitute: resolves down a half step to Db7\n13 | Db7     # tritone substitute: resolves down a half step to C7\n13 | C7      # V7 in F, not resolving: natural tensions\n14 | Db7     # tritone substitute: resolves down a half step to C7\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n15 | D7      # V7\u002Fii in F: the b13 is in the key\n16 | Gm7     # ii of C7: Dorian\n16 | C7      # V7\u002FI in F: natural tensions\n",1793575891120]