[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ill-close-my-eyes":3},"title: I'll Close My Eyes\ncomposer: Billy Reid\nstyle: Medium\nkey: F\nform: AA, 32 bars\nrecording: Blue Mitchell; Blue's Moods; Riverside; 1960\nyoutube: NlVPDaYu5EQ\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1960-08-24\u002F25, Plaza Sound Studios, NYC, Blue Mitchell Quartet (Wynton Kelly, Sam Jones, Roy Brooks), Riverside RLP 336; songbook standard (1945) → Mitchell's reading as the jazz reference (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Blue's Moods, the same take\n\n# bar | chord | scale\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n3  | Em7     # ii of the ii–V to D minor\n4  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of the ii–V to C minor\n6  | G7      # V7\u002Fv in F: natural tensions\n7  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n11 | FMaj7   # tonic: the 4th is in the key\n13 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n15 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Abdim7  # passing diminished: a rootless dominant ♭9\n16 | Gm7     # ii: Dorian, the key’s own notes\n16 | Gb7\u002FC   # tritone substitute: resolves down a half step to FMaj7\n\nsection: A2\nbars: 16\n1  | FMaj7   # tonic: the 4th is in the key\n3  | Em7     # ii of the ii–V to D minor\n4  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of the ii–V to C minor\n6  | G7      # V7\u002Fv in F: natural tensions\n7  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7b9    # extended dominant: V7 of G7; b9 from the symbol\n13 | G7      # II7 in F, not resolving: natural tensions\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6\u002F9    # tonic: the 4th is in the key\n",1793484800251]