[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ill-be-around":3},"title: I'll Be Around\ncomposer: Alec Wilder\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–7)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | Dm7     # ii: Dorian, the key’s own notes\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | FMaj7   # IV: the #4 is the key’s 7th\n3  | G7      # V7 in C, not resolving: natural tensions\n3  | G#dim7  # vii°7 to F\u002FA, up to its bass: E7♭9 without its root\n4  | F\u002FA     # IV: the #4 is the key’s 7th\n4  | G7\u002FB    # V7 of C: natural tensions\n5  | CMaj7   # tonic: the 4th is in the key\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n# area: Ab major (A1 7–8)\n7  | Eb7     # V7 of Ab: natural tensions\n8  | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A1 8 – A2 7)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | C6      # tonic: the 4th is in the key\n9  | Dm7     # ii: Dorian, the key’s own notes\n10 | Ebdim7  # vii°7 to C\u002FE, up to its bass: B7♭9 without its root\n10 | C\u002FE     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Db7\u002FAb  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n1  | Gm7     # ii of C7: Dorian\n2  | C7      # V7\u002FIV in C: natural tensions\n3  | Db7\u002FAb  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7\u002FIV in C: natural tensions\n4  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n5  | Ab7\u002FEb  # ♭VI7 from the parallel minor: Lydian Dominant\n5  | Dm7     # ii of the ii–V to C\n6  | Dm7\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n1  | Dm7     # ii: Dorian, the key’s own notes\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | FMaj7   # IV: the #4 is the key’s 7th\n3  | G7      # V7 in C, not resolving: natural tensions\n3  | G#dim7  # vii°7 to Dm7\u002FA, up to its bass: E7♭9 without its root\n4  | Dm7\u002FA   # ii of the ii–V to C\n4  | G7\u002FB    # V7 of C: natural tensions\n5  | CMaj7   # tonic: the 4th is in the key\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n# area: Ab major (A2 7–8)\n7  | Eb7     # V7 of Ab: natural tensions\n8  | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A2 8)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n",1793575891048]