[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:if-you-could-see-me-now":3},"title: If You Could See Me Now\ncomposer: Tadd Dameron\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–10)\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # extended ii–V: a side-step, its own key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | F#m7    # ii of B7: Dorian\n5  | B7      # extended ii–V: a side-step, its own key\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Db7#11  # tritone substitute: resolves down a half step to C7\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n9  | Abm6    # a minor sixth chord: Dorian\n10 | Eb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: G major (B 1–5)\n1  | Am7     # ii of the ii–V to G\n1  | D7      # V7 of G: natural tensions\n2  | GMaj7   # tonic: the 4th is in the key\n2  | E7      # V7\u002Fii in G: the b13 is in the key\n3  | Am7     # ii of D7: Dorian\n3  | D7      # V7\u002FI in G: natural tensions\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7      # V7\u002Fii in G: the b13 is in the key\n5  | Am7     # ii: Dorian, the key’s own notes\n# area: Bb major (B 5–7)\n5  | Cm7     # ii of the ii–V to Bb\n5  | F7      # V7 of Bb: natural tensions\n6  | BbMaj7  # tonic: the 4th is in the key\n6  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FI in Bb: natural tensions\n# area: Eb major (B 8 – A2 8)\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # extended ii–V: a side-step, its own key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | F#m7    # ii of B7: Dorian\n5  | B7      # extended ii–V: a side-step, its own key\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575891000]