[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:if-i-had-you":3},"title: If I Had You\ncomposer: Campbell, Connelly, Shapiro\nstyle: Slow Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | Ebm6    # a minor sixth chord: Dorian\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n6  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n7  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n9  | Bb6     # tonic: the 4th is in the key\n10 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7b9    # V7\u002Fiii in Bb: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9    # V7\u002Fiii in Bb: b9 and b13 are in the key\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7b9    # V7\u002Fiii in Bb: b9 and b13 are in the key\n5  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Bm7b5   # biiø7 in Bb: Locrian, its own mode (the chord is outside the key)\n6  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9    # V7\u002Fiii in Bb: b9 and b13 are in the key\n7  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | G7      # V7\u002Fii in Bb: the b13 is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | Ebm6    # a minor sixth chord: Dorian\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n6  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n7  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n",1793575890911]