[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:if-i-could-be-with-you":3},"title: If I Could Be With You\ncomposer: James Johnson\nstyle: Ballad\nkey: Eb\nform: AB, 16 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Verse\noutside: yes\n# area: Eb major (Verse 1–9)\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Edim7   # vii°7 of Fm7: C7♭9 without its root\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Edim7   # vii°7 of Fm7: C7♭9 without its root\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n6  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7     # V7 in Eb, not resolving: natural tensions\n9  | BbMaj7  # a non-tonic major chord: Lydian\n# area: Bb major (Verse 9 – A 2)\n9  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n9  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n9  | F7      # V7 of Bb: natural tensions\n10 | Bb6     # tonic: the 4th is in the key\n11 | F7      # extended dominant: V7 of Bb7\n12 | Bb7     # I7 in Bb, not resolving: natural tensions\n\nsection: A\n1  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n# area: Eb major (A 2 – B 8)\n2  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n3  | Eb6     # tonic: the 4th is in the key\n3  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n4  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n5  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7     # V7 in Eb, not resolving: natural tensions\n\nsection: B\n1  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n3  | Eb6     # tonic: the 4th is in the key\n3  | G7      # extended dominant: V7 of C7\n4  | C7      # VI7 in Eb, not resolving: the b13 is in the key\n5  | Ab6     # IV: the #4 is the key’s 7th\n5  | Adim7   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n6  | Eb6\u002FBb  # tonic: the 4th is in the key\n6  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n",1793575890895]