[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:if-ever-i-would-leave-you":3},"title: If Ever I Would Leave You\ncomposer: Frederick Loewe\nstyle: Medium Swing\nkey: Bb\nform: AABA, 56 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – B 1)\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n3  | Eb7     # tritone substitute: resolves down a half step to Dm7\n4  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | G7      # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7\u002FIV in Bb: natural tensions\n9  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n10 | Cm7     # ii of F7: Dorian\n10 | F7      # V7\u002FI in Bb: natural tensions\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | G7      # V7\u002Fii in Bb: the b13 is in the key\n13 | Cm7     # ii: Dorian, the key’s own notes\n14 | G7      # V7\u002Fii in Bb: the b13 is in the key\n15 | Cm7     # ii of F7: Dorian\n16 | F7      # V7\u002FI in Bb: natural tensions\n17 | Cm7     # ii of the ii–V to Bb\n18 | F7      # V7 of Bb: natural tensions\n19 | Bb6     # tonic: the 4th is in the key\n20 | Bb6\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | DMaj7   # a non-tonic major chord: Lydian\n1  | Bm7     # a borrowed minor chord: Dorian, its own key\n# area: D major (B 2–8)\n2  | Em7     # ii of the ii–V to D\n2  | A7      # V7 of D: natural tensions\n3  | DMaj7   # tonic: the 4th is in the key\n3  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Em7     # ii of A7: Dorian\n4  | A7      # V7\u002FI in D: natural tensions\n5  | F#Maj7  # a non-tonic major chord: Lydian\n6  | Em7     # ii of the ii–V to D\n6  | A7      # V7 of D: natural tensions\n7  | DMaj7   # tonic: the 4th is in the key\n8  | F7      # ♭III7 from the parallel minor: Lydian Dominant\n\nsection: A2\n# area: Bb major (A2 1–16)\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n3  | Eb7     # tritone substitute: resolves down a half step to Dm7\n4  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | G7      # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7\u002FIV in Bb: natural tensions\n9  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\nalt 9  | Em7b5   # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n10 | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\nalt 10 | Ebm6    # a minor sixth chord: Dorian\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n13 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7 of Bb: natural tensions\n15 | Bb6     # tonic: the 4th is in the key\n16 | Bb6\n",1793575890888]