[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:idol-gossip":3},"title: Idol Gossip\ncomposer: Gerry Mulligan\nstyle: Medium Swing\nkey: F\nform: AAB, 70 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | Dm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm\u002FA\n3  | Bb7     # IV7 in F, not resolving: the #11 is in the key\n4  | Bb7\n5  | Dm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n7  | Dm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm\u002FA\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | BbMaj7  # IV: the #4 is the key’s 7th\n1  | Bdim    # vii°7 of Cm7: G7♭9 without its root\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7\u002FIV in F: natural tensions\n3  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | Bdim    # vii°7 of Cm7: G7♭9 without its root\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | Bdim    # vii°7 of Cm7: G7♭9 without its root\n6  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7\u002FIV in F: natural tensions\n7  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n9  | Dm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Dm\u002FA\n11 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n12 | Bb7\n13 | Dm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n15 | Dm\u002FA    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Dm\u002FA\n17 | Dm\u002FA\n18 | Dm\u002FA\n19 | Dm\u002FA\n20 | Dm\u002FA\n21 | Dm\u002FA\n22 | Dm\u002FA\n23 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n24 | Dm7\n25 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n26 | Bb7\n27 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n28 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n29 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n30 | Dm7\n31 | Dm7\n32 | Dm7\n33 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n34 | Bb7\n35 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n36 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n37 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n38 | Dm7\n39 | BbMaj7  # IV: the #4 is the key’s 7th\n39 | Bdim    # vii°7 of Cm7: G7♭9 without its root\n40 | Cm7     # ii of the ii–V to Bb\n40 | F7      # V7\u002FIV in F: natural tensions\n41 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n41 | Bdim    # vii°7 of Cm7: G7♭9 without its root\n42 | Cm7     # ii of the ii–V to Bb\n42 | F7      # V7\u002FIV in F: natural tensions\n43 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n43 | Bdim    # vii°7 of Cm7: G7♭9 without its root\n44 | Cm7     # ii of the ii–V to Bb\n44 | F7      # V7\u002FIV in F: natural tensions\n45 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n46 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n47 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n48 | Dm7\n49 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n50 | Bb7\n51 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n52 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n53 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n54 | Dm7\n",1793575890877]