[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-wont-dance":3},"title: I Won't Dance\ncomposer: Jerome Kern\nstyle: Medium Swing\nkey: C\nform: AAB, 50 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–17)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | CMaj7   # tonic: the 4th is in the key\n3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of the ii–V to C\n4  | G7      # V7 of C: natural tensions\n5  | CMaj7   # tonic: the 4th is in the key\n5  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n10 | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n11 | CMaj7   # tonic: the 4th is in the key\n11 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Dm7     # ii of the ii–V to C\n12 | G7      # V7 of C: natural tensions\n13 | CMaj7   # tonic: the 4th is in the key\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7\u002FIV in C: natural tensions\n15 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n16 | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n17 | CMaj7   # tonic: the 4th is in the key\n# area: Ab major (A 18 – B 13)\n18 | Bbm7    # ii of the ii–V to Ab\n18 | Eb7     # V7 of Ab: natural tensions\n@ending 1 11 12\n@ending 2 13 18\n\nsection: B\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | AbMaj7\n3  | Ebm7    # ii of the ii–V to Db\n4  | Ab7     # V7\u002FIV in Ab: natural tensions\n5  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n6  | DbMaj7\n7  | Abm7    # ii of Db7: Dorian\n8  | Db7     # extended ii–V: a side-step, its own key\n9  | B6      # ♭III6, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n10 | B7      # ♭III7 from the parallel minor: Lydian Dominant\n11 | CMaj7   # a non-tonic major chord: Lydian\n12 | CMaj7\n13 | Bm7     # ii of the ii–V to A minor\n13 | E7      # V7\u002Fbii in Ab: b9 and #11 are in the key\n# area: C major (B 14–22)\n14 | Am7     # ii of D7: Dorian\n14 | D7      # V7\u002FV in C: natural tensions\n15 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n17 | CMaj7   # tonic: the 4th is in the key\n18 | Gm7     # ii of the ii–V to F\n18 | C7      # V7\u002FIV in C: natural tensions\n19 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n20 | Dm7     # ii of the ii–V to C\n20 | G7      # V7 of C: natural tensions\n21 | CMaj7   # tonic: the 4th is in the key\n22 | Dm7     # ii of the ii–V to C\n22 | G7      # V7 of C: natural tensions\n@nav 15 D.C. al 3rd ending\n",1793575890817]