[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-wish-you-love":3},"title: I Wish You Love\ncomposer: Charles Trenet\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Verse\noutside: yes\n# area: Eb major (Verse 1–2)\n1  | Ebm      # a borrowed minor chord: Dorian, its own key\n1  | EbmMaj7  # from the symbol: minor-major 7th\n2  | Ebm7     # a borrowed minor chord: Dorian, its own key\n2  | Ebm6     # a minor sixth chord: Dorian\n# area: Eb minor (Verse 3–6)\n3  | Fm7b5    # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Bb7b13   # V7 of Eb minor: b9 and b13 are in the key\n5  | Ebm      # tonic minor: Dorian by convention\n5  | EbmMaj7  # from the symbol: minor-major 7th\n6  | Ebm7     # tonic minor: Dorian by convention\n6  | Ebm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# area: Eb major (Verse 7 – A2 8)\n7  | Fm7b5    # iiø7 of Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bb7b9    # V7 of Eb: the b9 from the symbol\n9  | EbMaj7   # tonic: the 4th is in the key\n10 | Cm7b5    # iiø7 of F7: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F7       # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n11 | Fm7      # ii of Bb7: Dorian\n12 | Bb7      # V7\u002FI in Eb: natural tensions\n@ending 1 5 8\n@ending 2 9 12\n\nsection: A1\n1  | Fm7      # ii of the ii–V to Eb\n2  | Bb7      # V7 of Eb: natural tensions\n3  | EbMaj7   # tonic: the 4th is in the key\n3  | Ab7      # tritone substitute: resolves down a half step to Gm7\n4  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gbdim7   # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n5  | Fm7      # ii of the ii–V to Eb\n6  | Bb7      # V7 of Eb: natural tensions\n7  | EbMaj7   # tonic: the 4th is in the key\n7  | Ab7      # tritone substitute: resolves down a half step to Gm7\n8  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7       # extended ii–V: a side-step, its own key\n9  | Bbm7     # ii of the ii–V to Ab\n10 | Eb7      # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7   # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Abm7     # ii of Db7: Dorian\n2  | Db7      # back door bVII7 to Eb6: the #11 is in the key\n3  | Eb6      # tonic: the 4th is in the key\n3  | Ab7      # tritone substitute: resolves down a half step to Gm7\n4  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7       # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7      # ii: Dorian, the key’s own notes\n6  | Cm7      # ii of F7: Dorian\n6  | F7       # V7\u002FV in Eb: natural tensions\n7  | Fm7      # ii of Bb7: Dorian\n8  | Bb7      # V7\u002FI in Eb: natural tensions\n8  | C7       # V7\u002Fii in Eb: the b13 is in the key\n\nsection: A2\n1  | Fm7      # ii of the ii–V to Eb\n2  | Bb7      # V7 of Eb: natural tensions\n3  | EbMaj7   # tonic: the 4th is in the key\n3  | Ab7      # tritone substitute: resolves down a half step to Gm7\n4  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gbdim7   # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n5  | Fm7      # ii of the ii–V to Eb\n6  | Bb7      # V7 of Eb: natural tensions\n7  | Eb6      # tonic: the 4th is in the key\n7  | Ab7      # tritone substitute: resolves down a half step to Gm7\n8  | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7       # extended ii–V: a side-step, its own key\n",1793575890808]