[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-wish-i-knew-how-it-would-feel-to-be-free":3},"title: I Wish I Knew How It Would Feel To Be Free\ncomposer: Billy Taylor\nstyle: Even 8ths\nkey: F\nform: A, 16 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | F      # tonic: the 4th is in the key\n1  | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n2  | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F7     # V7\u002FIV in F: natural tensions\n3  | Bb     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | C7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | F      # tonic: the 4th is in the key\n5  | F\n5  | Bb     # IV: the #4 is the key’s 7th\n6  | F      # tonic: the 4th is in the key\n7  | C      # V without its 7th: Mixolydian, the key’s own notes\n7  | G7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7     # V7 of F: natural tensions\n9  | F      # tonic: the 4th is in the key\n9  | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n10 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | F7     # V7\u002FIV in F: natural tensions\n11 | Bb     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n11 | C7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n12 | F      # tonic: the 4th is in the key\n12 | Bdim7  # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n13 | F\u002FC    # tonic: the 4th is in the key\n13 | A7\u002FC#  # V7\u002Fvi in F: b9 and b13 are in the key\n14 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Bdim7  # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n15 | F\u002FC    # tonic: the 4th is in the key\n15 | C7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n16 | F      # tonic: the 4th is in the key\n",1793575890791]