[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-was-doing-all-right":3},"title: I Was Doing All Right\ncomposer: George Gershwin\nstyle: Medium Swing\nkey: G\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1–9)\n1  | GMaj7    # tonic: the 4th is in the key\n1  | Abdim7   # vii°7 of Am7: E7♭9 without its root\n2  | Am7      # ii of the ii–V to G\n2  | D7       # V7 of G: natural tensions\n3  | GMaj7    # tonic: the 4th is in the key\n3  | Abdim7   # vii°7 of Am7: E7♭9 without its root\n4  | Am7      # ii of D7: Dorian\n4  | D7       # extended dominant: V7 of G7\n5  | G7       # V7\u002FIV in G: natural tensions\n6  | CMaj7    # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | Cm6      # a minor sixth chord: Dorian\n7  | GMaj7\u002FD  # tonic: the 4th is in the key\n7  | D7       # V7 of G: natural tensions\n8  | GMaj7    # tonic: the 4th is in the key\n8  | Am7      # ii of the ii–V to G\n8  | D7       # V7 of G: natural tensions\n9  | GMaj7    # tonic: the 4th is in the key\n# area: E major (A1 9 – B 8)\n9  | B7       # V7 of E: natural tensions\n@ending 1 8\n@ending 2 9\n\nsection: B\n1  | E6       # tonic: the 4th is in the key\n2  | E6\n3  | A7       # IV7 in E, not resolving: the #11 is in the key\n4  | A7\n5  | E6       # tonic: the 4th is in the key\n6  | C#m7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | B6       # a non-tonic major chord: Lydian\n7  | F#m7     # ii: Dorian, the key’s own notes\n7  | G#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Am7      # iv7 from the parallel minor: Dorian, its notes\n8  | Bbdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n\nsection: A2\n# area: G major (A2 1–10)\n1  | GMaj7    # tonic: the 4th is in the key\n1  | Abdim7   # vii°7 of Am7: E7♭9 without its root\n2  | Am7      # ii of the ii–V to G\n2  | D7       # V7 of G: natural tensions\n3  | GMaj7    # tonic: the 4th is in the key\n3  | Abdim7   # vii°7 of Am7: E7♭9 without its root\n4  | Am7      # ii of D7: Dorian\n4  | D7       # extended dominant: V7 of G7\n5  | G7       # V7\u002FIV in G: natural tensions\n6  | CMaj7    # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | Cm6      # a minor sixth chord: Dorian\n7  | GMaj7\u002FD  # tonic: the 4th is in the key\n7  | D7       # V7 of the GMaj7\u002FD before it: natural tensions\n8  | Am7      # ii of the ii–V to G\n8  | D7       # V7 of G: natural tensions\n9  | G6       # tonic: the 4th is in the key\n9  | E7       # V7\u002Fii in G: the b13 is in the key\n10 | Am7      # ii of the ii–V to G\n10 | D7       # V7 of G: natural tensions\n",1793575890769]