[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-want-to-talk-about-you":3},"title: I Want To Talk About You\ncomposer: Billy Eckstine\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 4)\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # extended ii–V: a side-step, its own key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of Bb7: Dorian\n6 | Bb7     # V7\u002FI in Eb: natural tensions\n7 | Db7     # tritone substitute: resolves down a half step to C7\n7 | C7      # tritone substitute: resolves down a half step to B7\n8 | B7      # tritone substitute: resolves down a half step to Bb7\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # extended ii–V: a side-step, its own key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb      # tonic: the 4th is in the key\n7 | Ab      # IV: the #4 is the key’s 7th\n7 | Eb\u002FG    # tonic: the 4th is in the key\n7 | Fm      # ii: Dorian, the key’s own notes\n8 | Eb      # tonic: the 4th is in the key\n8 | Fm      # ii: Dorian, the key’s own notes\n8 | Eb\u002FG    # tonic: the 4th is in the key\n8 | Ab      # IV: the #4 is the key’s 7th\n\nsection: B\n1 | Bbm7    # ii of Eb7: Dorian\n1 | Eb7     # V7\u002FIV in Eb: natural tensions\n2 | Bbm7    # ii of Eb7: Dorian\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | Bbm7    # ii of the ii–V to Ab\n3 | Eb7     # V7\u002FIV in Eb: natural tensions\n4 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n# area: C major (B 5–7)\n5 | Dm7     # ii of the ii–V to C\n5 | G7      # V7 of C: natural tensions\n6 | CMaj7   # tonic: the 4th is in the key\n6 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Dm7     # ii of G7: Dorian\n7 | G7      # V7\u002FI in C: natural tensions\n# area: Eb major (B 8 – A3 8)\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A3\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # extended ii–V: a side-step, its own key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n7 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575890760]