[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-used-to-be-color-blind":3},"title: I Used To Be Color Blind\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7     # tonic: the 4th is in the key\n1 | EbMaj7\u002FBb  # tonic: the 4th is in the key\n2 | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n3 | Abm6       # a minor sixth chord: Dorian\n4 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Am7        # ii of D7: Dorian\n5 | D7         # extended dominant: V7 of G7sus\n6 | G7sus      # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | G7         # III7 in Eb, not resolving: b9 and b13 are in the key\n7 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | F#dim7     # vii°7 of Gm7: D7♭9 without its root\n8 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | C7         # V7\u002Fii in Eb: the b13 is in the key\n\nsection: B\n1 | Fm7        # ii of the ii–V to Eb\n2 | Bb9        # V7 of Eb: natural tensions\n3 | EbMaj7     # tonic: the 4th is in the key\n4 | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7#5       # V7\u002Fvi in Eb: b9 and b13 are in the key, the #11 from the symbol\n5 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n6 | Ab9#11     # IV7 in Eb, not resolving: the #11 is in the key\n7 | GbMaj7     # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n8 | Fm7        # ii of the ii–V to Eb\n8 | Bb7        # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7     # tonic: the 4th is in the key\n1 | EbMaj7\u002FBb  # tonic: the 4th is in the key\n2 | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n3 | Abm6       # a minor sixth chord: Dorian\n4 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | C7b9       # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7 | Fm7        # ii: Dorian, the key’s own notes\n7 | C7#5       # V7\u002Fii in Eb: the b13 is in the key, the #11 from the symbol\n8 | Fm7        # ii: Dorian, the key’s own notes\n\nsection: C\n1 | AbMaj7     # IV: the #4 is the key’s 7th\n2 | Abm6       # a minor sixth chord: Dorian\n2 | Db9        # tritone substitute: resolves down a half step to Cm7\n3 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n4 | Ab7        # IV7 in Eb, not resolving: the #11 is in the key\n4 | Ab7\u002FGb     # IV7 in Eb, not resolving: the #11 is in the key\n5 | F13        # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb13       # V7 of Eb: natural tensions\n7 | EbMaj7     # tonic: the 4th is in the key\n7 | Eb6        # tonic: the 4th is in the key\n8 | Fm7        # ii of the ii–V to Eb\n8 | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575890730]