[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-thought-about-you":3},"title: I Thought About You\ncomposer: Jimmy Van Heusen\nstyle: Ballad\nkey: F\nform: AB, 32 bars\nrecording: Miles Davis; Someday My Prince Will Come; Columbia; 1961\nyoutube: gOnqdc5wLfo\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded March 1961, 30th Street Studio, NYC, Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb; the jazz reference version of this songbook standard (Gioia's Jazz Standards); Columbia CL 1656 \u002F CS 8456, released 1961-12-11; sources: Wikipedia (Someday My Prince Will Come, I Thought About You); video: \"Provided to YouTube by Columbia\u002FLegacy\" album track, the same take\n# the book: Med. Ballad\n\n# bar | chord\n\nsection: A\n1  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n1  | Bb9#11  # tritone substitute: resolves down a half step to A7\n# alt: bar 1 (FMaj7)\n2  | A7      # extended dominant: V7 of D7#5\n2  | D7#5    # extended dominant: V7 of G9; #11 and b13 from the symbol\n3  | G9      # II7 in F, not resolving: natural tensions\n3  | Ab13    # tritone substitute: resolves down a half step to G9\n4  | G9      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Db7     # tritone substitute: resolves down a half step to Cm7\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Bbm7    # ii of Eb13: Dorian\n10 | Eb13    # back door bVII7 to FMaj7: the #11 is in the key\n11 | FMaj7   # tonic: the 4th is in the key\n11 | C7      # V7 of F: natural tensions\n12 | FMaj7   # tonic: the 4th is in the key\n# alt: bars 11–12 (Gm7 Am7 | BbMaj7)\n13 | Bm7b5   # iiø7 of E7#5: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | E7#5    # V7\u002Fiii in F: b9 and b13 are in the key, the #11 from the symbol\n13 | E7      # VII7 in F, not resolving: b9 and b13 are in the key\n14 | Bm7b5   # iiø7 of E7#5: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7#5    # V7\u002Fiii in F: b9 and b13 are in the key, the #11 from the symbol\n14 | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n# bars 13–14: Bm7b5 for two beats, E7#5 on beat 3, E7 on beat 4\n15 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Ab7     # tritone substitute: resolves down a half step to Gm7\n16 | Gm7     # ii of C7: Dorian\n16 | C7      # V7\u002FI in F: natural tensions\n\nsection: B\nbars: 16\n1  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n1  | Bb9#11  # tritone substitute: resolves down a half step to A7\n# alt: bar 1 (FMaj7)\n2  | A7      # extended dominant: V7 of D7#5\n2  | D7#5    # extended dominant: V7 of G9; #11 and b13 from the symbol\n3  | G9      # II7 in F, not resolving: natural tensions\n3  | Ab13    # tritone substitute: resolves down a half step to G9\n4  | G9      # II7 in F, not resolving: natural tensions\n5  | Gm7     # ii: Dorian, the key’s own notes\n6  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Db7     # tritone substitute: resolves down a half step to Cm7\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Bbm7    # ii of Eb13: Dorian\n10 | Eb13    # back door bVII7 to FMaj7: the #11 is in the key\n11 | FMaj7   # tonic: the 4th is in the key\n11 | Dm7\u002FC   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n12 | Bb9#11  # tritone substitute: resolves down a half step to Am7\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Ab7     # tritone substitute: resolves down a half step to Gm7\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n# alt: bar 16 (Gm7 C7)\n",1793484800228]