[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-surrender-dear":3},"title: I Surrender Dear\ncomposer: Harry Barris\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | Dm7    # ii: Dorian, the key’s own notes\n2 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9   # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n3 | Dm7    # ii: Dorian, the key’s own notes\n3 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am7    # ii of D7: Dorian\n4 | D7     # V7\u002FV in C: natural tensions\n5 | CMaj7  # tonic: the 4th is in the key\n5 | Am7    # ii of D7: Dorian\n6 | D7     # V7\u002FV in C: natural tensions\n7 | Dm7    # ii of the ii–V to C\n7 | G7     # V7 of C: natural tensions\n8 | CMaj7  # tonic: the 4th is in the key\n8 | A7     # VI7 in C, not resolving: the b13 is in the key\n9 | CMaj7  # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n2 | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n6 | Am7    # ii of D7: Dorian\n7 | D7     # V7\u002FV in C: natural tensions\n8 | Dm7    # ii of G7: Dorian\n8 | G7     # V7\u002FI in C: natural tensions\n\nsection: A2\n1 | Dm7    # ii: Dorian, the key’s own notes\n1 | F7     # IV7 in C, not resolving: the #11 is in the key\n2 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9   # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n3 | Dm7    # ii: Dorian, the key’s own notes\n3 | E7     # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am7    # ii of D7: Dorian\n4 | D7     # V7\u002FV in C: natural tensions\n5 | CMaj7  # tonic: the 4th is in the key\n5 | Am7    # ii of D7: Dorian\n6 | D7     # V7\u002FV in C: natural tensions\n7 | Dm7    # ii of the ii–V to C\n7 | G7     # V7 of C: natural tensions\n8 | CMaj7  # tonic: the 4th is in the key\n8 | A7     # V7\u002Fii in C: the b13 is in the key\n",1793575890705]