[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-should-care":3},"title: I Should Care\ncomposer: Axel Stordahl, Paul Weston\nstyle: Medium swing\nkey: C\nform: AB, 32 bars\nrecording: Bill Evans Trio; How My Heart Sings!; Riverside; 1964\nyoutube: nmucNv81yD4\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1962-06-05, Sound Makers, NYC, Bill Evans with Chuck Israels and Paul Motian, Riverside RM 473, released 1964; songbook standard (1944) → Evans's trio reading at the chart's medium swing, over Monk's solo ballad versions (Blue Note 1948, Thelonious Himself 1957) (jazzdisco); video: Bill Evans's official channel (Craft Recordings), \"Official Visualizer\" from How My Heart Sings!, the same take\n# the book: also played as a ballad\n\n# bar | chord\n\nsection: A\n1  | Dm7     # ii of G9sus4: Dorian\n1  | G9sus4  # static sus: Mixolydian\n# book: G9sus4-3 (the sus resolving to the 3rd)\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A9      # V7\u002Fii in C: the b13 is in the key\n3  | Dm7     # ii of the ii–V to C\n3  | G9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | CMaj7   # tonic: the 4th is in the key\n5  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7      # V7\u002Fii in C: the b13 is in the key\n7  | Dm7     # ii: Dorian, the key’s own notes\n8  | Fm7     # ii of Bb9: Dorian\n8  | Bb9     # back door bVII7 to CMaj7: the #11 is in the key\n9  | CMaj7   # tonic: the 4th is in the key\n10 | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n11 | Gm7     # ii of the ii–V to F\n11 | C7      # V7\u002FIV in C: natural tensions\n12 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n13 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n14 | Am7     # ii of D9: Dorian\n15 | Am7\n15 | D9      # V7\u002FV in C: natural tensions\n16 | Dm7     # ii of G9: Dorian\n16 | G9      # V7\u002FI in C: natural tensions\n\nsection: B\nbars: 16\n1  | Dm7     # ii of G9sus4: Dorian\n1  | G9sus4  # static sus: Mixolydian\n# book: G9sus4-3 (the sus resolving to the 3rd)\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A9      # V7\u002Fii in C: the b13 is in the key\n3  | Dm7     # ii of the ii–V to C\n3  | G9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | CMaj7   # tonic: the 4th is in the key\n5  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7      # V7\u002Fii in C: the b13 is in the key\n7  | Dm7     # ii: Dorian, the key’s own notes\n8  | Fm7     # ii of Bb9: Dorian\n8  | Bb9     # back door bVII7 to CMaj7: the #11 is in the key\n9  | CMaj7   # tonic: the 4th is in the key\n10 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n11 | Am      # ii of D7: Dorian\n12 | D7      # V7\u002FV in C: natural tensions\n# alt: bar 12 (D7 D#dim7)\n13 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n# alt: bar 15 from beat 3 (F7), bar 16 (Em7 A7)\n# alt (may be played): bars 1–4 of A and B (F#7#9#11 B13b9 | E7#9 A13 | D7#9 G13 | CMaj7 F13#11)\n",1793484800204]