[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-see-your-face-before-me":3},"title: I See Your Face Before Me\ncomposer: Arthur Schwartz\nstyle: Ballad\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Fm7     # ii: Dorian, the key’s own notes\n2 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Fm7     # ii: Dorian, the key’s own notes\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | C7      # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7     # ii of Bb7: Dorian\n4 | Bb7     # V7\u002FI in Eb: natural tensions\n5 | Fm      # ii: Dorian, the key’s own notes\n5 | FmMaj7  # from the symbol: minor-major 7th\n6 | Fm7     # ii of Bb7: Dorian\n6 | Bb7     # V7\u002FI in Eb: natural tensions\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | EbMaj7  # tonic: the 4th is in the key\n\nsection: B\n1 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2 | Fm7     # ii of Bb7: Dorian\n2 | Bb7     # V7\u002FI in Eb: natural tensions\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n4 | Fm7     # ii of Bb7: Dorian\n4 | Bb7     # V7\u002FI in Eb: natural tensions\n5 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7 | Fm7     # ii of the ii–V to Eb\n8 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Fm7     # ii: Dorian, the key’s own notes\n2 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Fm7     # ii: Dorian, the key’s own notes\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | C7      # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7     # ii of Bb7: Dorian\n4 | Bb7     # V7\u002FI in Eb: natural tensions\n5 | Fm      # ii: Dorian, the key’s own notes\n5 | FmMaj7  # from the symbol: minor-major 7th\n6 | Fm7     # ii of Bb7: Dorian\n6 | Bb7     # V7\u002FI in Eb: natural tensions\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: C\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n1 | Bb7\u002FAb  # V7 of Eb: natural tensions\n2 | EbMaj7  # tonic: the 4th is in the key\n3 | Bbm7    # ii of the ii–V to Ab\n3 | Eb7     # V7\u002FIV in Eb: natural tensions\n4 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm6    # a minor sixth chord: Dorian\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575890688]