[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-remember-you":3},"title: I Remember You\ncomposer: Victor Schertzinger\nstyle: Medium\nkey: F\nform: AABC, 36 bars\nrecording: Charlie Parker; Charlie Parker; Clef; 1954\nyoutube: DLvmK7YC7Io\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1953-07-28, Fulton Recording, NYC (Charlie Parker Quartet: Al Haig, Percy Heath, Max Roach), master 1247-1 (the only take), first LP 1954 (10\", Clef MGC-157), later on Now's the Time (Verve MGV-8005, 1956); songbook standard (The Fleet's In, 1942) → Bird's quartet reading as the jazz reference; sources: jazzdisco; video: \"Provided to YouTube by Universal Music Group\", Now's The Time: The Genius Of Charlie Parker #3, the same take\n\n# bar | chord | scale\n\nsection: Intro\nbars: 4\n# area: F major (Intro 1 – B 1)\n1  | Abm7    # a borrowed minor chord: Dorian, its own key\n2  | Gm7     # ii: Dorian, the key’s own notes\n2  | Gb7b9   # tritone substitute: resolves down a half step to FMaj7; b9 from the symbol\n\nsection: Coda\nbars: 8\n1  | Gm7     # ii of C7: Dorian\n1  | C7      # V7\u002FI in F: natural tensions\n2  | Cm7     # a borrowed minor chord: Dorian, its own key\n2  | B7      # tritone substitute: resolves down a half step to Bbm7\n3  | Bbm7    # ii of Eb7: Dorian\n3  | Eb7     # extended ii–V: a side-step, its own key\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Ab7     # tritone substitute: resolves down a half step to Gm7\n5  | Gm7     # ii of the ii–V to F\n5  | C7      # V7 of F: natural tensions\n6  | F       # tonic: the 4th is in the key\n\nsection: A1\n# the melody horn intro is left out; the played intro vamp (Abm7 Gm7 Gb7b9) and the standard-ending coda are added; the extended ending and the sheet's alternate chords are left out\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bm7     # ii of E7: Dorian\n2  | E7      # extended ii–V: a side-step, its own key\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # extended ii–V: a side-step, its own key\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bm7     # ii of E7: Dorian\n2  | E7      # extended ii–V: a side-step, its own key\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n\nsection: B\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n# area: D major (B 2–5)\n2  | Em7     # ii of the ii–V to D\n2  | A7      # V7 of D: natural tensions\n3  | DMaj7   # tonic: the 4th is in the key\n4  | Em7     # ii of the ii–V to D\n4  | A7      # V7 of D: natural tensions\n5  | DMaj7   # tonic: the 4th is in the key\n# area: C major (B 6–7)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n# area: F major (B 8 – C 11)\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: C\nbars: 12\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bm7     # ii of E7: Dorian\n2  | E7      # extended ii–V: a side-step, its own key\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n8  | Bbm7    # a borrowed minor chord: Dorian, its own key\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | Ab7     # tritone substitute: resolves down a half step to Gm7\n10 | Gm7     # ii of the ii–V to F\n10 | C7b9    # V7 of F: the b9 from the symbol\n11 | F       # tonic: the 4th is in the key\n",1793484800190]