[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-remember-clifford":3},"title: I Remember Clifford\ncomposer: Benny Golson\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Intro\n1  | AbMaj7  # IV: the #4 is the key’s 7th\n2  | Bb7b9   # V7 in Eb, not resolving: the b9 from the symbol\n3  | G7b9    # III7 in Eb, not resolving: b9 and b13 are in the key\n3  | G7b9\u002FB  # V7\u002Fvi in Eb: b9 and b13 are in the key\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Bbm7    # a borrowed minor chord: Dorian, its own key\n4  | Abm7    # iv7 from the parallel minor: Dorian, its notes\n4  | Gbm7    # a borrowed minor chord: Dorian, its own key\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | G7      # III7 in Eb, not resolving: b9 and b13 are in the key\n2  | AbMaj7  # IV: the #4 is the key’s 7th\n2  | Adim7   # passing diminished: F7♭9 without its F, the Bb7's dominant; not functioning diatonically: the symmetric scale\n3  | Bb7     # V7 in Eb, not resolving: natural tensions\n3  | Bdim7   # vii°7 of Cm7: G7♭9 without its root\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Gm7\u002FF   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | A7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n8  | Fm7     # ii of Bb7b9: Dorian\n8  | Bb7b9   # V7\u002FI in Eb: the b9 from the symbol\n9  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n10 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n11 | Fm7     # ii of Bb7#5: Dorian\n11 | Bb7#5   # V7\u002FI in Eb: #11 and b13 from the symbol\n12 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | AbMaj7  # IV: the #4 is the key’s 7th\n13 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n14 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n15 | Fm7     # ii of the ii–V to Eb\n15 | Bb7alt  # from the symbol: altered\n16 | EbMaj7  # tonic: the 4th is in the key\n@ending 1 5 8\n@ending 2 9 16\n\nsection: B\n1  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | G7      # III7 in Eb, not resolving: b9 and b13 are in the key\n2  | AbMaj7  # IV: the #4 is the key’s 7th\n2  | Adim7   # passing diminished: F7♭9 without its F, the Bb7's dominant; not functioning diatonically: the symmetric scale\n3  | Bb7     # V7 in Eb, not resolving: natural tensions\n3  | Bdim7   # vii°7 of Cm7: G7♭9 without its root\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7alt  # from the symbol: altered\n8  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575890654]