[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:i-loves-you-porgy":3},"title: I Loves You Porgy\ncomposer: George Gershwin\nstyle: Ballad\nkey: F\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 4)\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Cm7     # ii of the ii–V to Bb\n1  | F7      # V7\u002FIV in F: natural tensions\n2  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | Dm7\u002FA   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7     # ii of the ii–V to F\n3  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | FMaj7   # tonic: the 4th is in the key\n4  | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of the ii–V to F\n7  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | F6      # tonic: the 4th is in the key\n8  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | F6      # tonic: the 4th is in the key\n9  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1  | Am6     # a minor sixth chord: Dorian\n1  | F#m7b5  # biiø7 in F: Locrian, its own mode (the chord is outside the key)\n2  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b13   # V7\u002Fiii in F: b9 and b13 are in the key\n3  | Am6     # a minor sixth chord: Dorian\n3  | F#m7b5  # biiø7 in F: Locrian, its own mode (the chord is outside the key)\n4  | Ab7#5   # tritone substitute: resolves down a half step to G7; b13 from the symbol\n# area: C minor (B 4–9)\n4  | G7      # V7 of C minor: b9 and b13 are in the key\n5  | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n6  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b13   # V7 of C minor: b9 and b13 are in the key\n7  | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | Ab7     # tritone substitute: resolves down a half step to G7#5\n8  | G7#5    # extended dominant: V7 of C7#9; #11 and b13 from the symbol\n8  | C7#9    # I7 in C minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | G7#5    # extended dominant: V7 of C7#9; #11 and b13 from the symbol\n9  | C7#9    # I7 in C minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n# area: F major (B 10 – A2 8)\n10 | G7#5    # extended dominant: V7 of C7sus; #11 and b13 from the symbol\n10 | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Cm7     # ii of the ii–V to Bb\n1  | F7      # V7\u002FIV in F: natural tensions\n2  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | Dm7\u002FA   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7     # ii of the ii–V to F\n3  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | FMaj7   # tonic: the 4th is in the key\n4  | A7b13   # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of the ii–V to F\n7  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | F6      # tonic: the 4th is in the key\n8  | C7sus   # static sus: Mixolydian\n",1793575890600]